Jim C. Hines
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July 28, 2011 /

Follow-up to Tuesday’s Post

Tuesday’s post about the idea of homosexuality as a defect led to a great deal of discussion, as expected. I also received more criticism for that post than anything I’ve done in a long time. Almost universally, that criticism came from friends of Stone.

This doesn’t invalidate the criticism, and I completely understand feeling protective of one’s friends. Protectiveness of one’s friends is, in fact, one of the reasons I wrote the post to begin with.

So I’ve been doing a mental debrief. I try to do this fairly regularly. Some of the core questions I’m looking at are:

  • Did this post accomplish anything good?
  • Did it do harm?
  • Did the good it accomplished outweigh the harm?
  • Could I have written it differently so as to increase the former and/or decrease the latter?

I think the answer to all four questions is yes. For today, I wanted to focus primarily on that fourth question.

The Title – I titled the blog post after the axiom in Lavie Tidhar’s story. I think that was a mistake. My goal was to use the things Stone had written as a staring point, and to move to a broader conversation about prejudice and bigotry against homosexuals and same-sex marriage. The title kept the focus on one individual and lessened the focus on that broader discussion.

“You” vs. “You” – Similarly, about halfway through the post, I switched to statements like “you believe your sense of discomfort and offense is important enough to continue systematically denying legal status and protection to an entire class of human beings?” But my writing made it unclear that I was addressing the broader, generic “you” instead of continuing to focus on Stone specifically. This is something I could have fixed rather easily with a line like, “Dear world — if you believe blah blah blah…”

Genetic Defect – This phrase came not from Stone, but from Tidhar. My reading of Stone’s words matched up to the phrase, but after further discussion, reading, and some e-mail chats, I believe I was wrong. Stone was not claiming that homosexuality is a genetic defect. A defect, yes, but attributing it to genetics was part of a hypothetical posed by someone else. I don’t know if this makes any significant difference, but it was a mistake, and I wanted to own that.

Comment Moderation – I received feedback that the tone of the comments was too negative, especially on LiveJournal. I was asked to delete them, challenged for not responding to them all with the Smackdown Hammer of Whoopass and Moderation, and told that I was tacitly endorsing/encouraging attacks by not doing so.

To the best of my knowledge, I have never deleted comments except in cases of spam and blatant trolling. Looking back, my treatment of comments in this post was very similar to what it’s been in other posts. Likewise, the tone of the comments was similar to other posts … the difference being that this time those comments were directed at someone’s friend.

I do need to revise and post/bookmark my moderation policy. In general, I will moderate, but I try to do so lightly. Hell, I’ve allowed comments from angry “men’s rights” advocates decrying rape as a weapon women use against men. Sometimes I simply ignore these comments. I don’t believe that means I’m tacitly endorsing their nonsense.

Like I said, I understand feeling protective. But I’m also uncomfortable that apparently this sort of comment was acceptable when it was about strangers in previous posts, but gets challenged now that they’re about a friend. This is something I’ll continue to think about.

Speaking Up to Power – There’s a theory in comedy that you should always try to direct your jibes upward. Lampooning someone in a position of higher power is funny and socially useful. Doing the same to someone in a powerless position is not funny, and not cool.

While I don’t believe this is a perfect analogy, I’d be a fool not to recognize that in the blogging world, I currently have a much broader readership and much more “power.” This is something I need to think about more, and something I hope to keep in mind when writing future blog posts.

#

This is far from everything, but this follow-up is already longer than the original post, and there’s only so much my brain can process at once. None of this changes my anger, or my belief that it’s important to speak out and publicly challenge prejudice and bigotry. But one of the ways I try to improve as a writer and a human being is to try to understand when and how I could have done something better.

July 27, 2011 /

Foot, Meet Mouth

I’m working on a follow-up to yesterday’s blog post, but I was at a booksigning last night and didn’t get home until 10, meaning I haven’t had time to finish it.

So instead, I figured I’d share an embarrassing story from the signing.

I had a great time. Nicola’s Books brought in me, Sarah Zettel, and Jacqueline Carey. We chatted for about an hour about everything from e-books to outlines to keeping characters on a short leash. (Some of us more literally than others…) There was discussion and banter and laughing, and as far as I could tell, a good time was had by all.

Then it was booksigning time. Sarah and I watched the crowd swarm to Jacqueline, but there was some spillover to us as well. Yay! I signed a respectable number of books, and then toward the end, two women came up to me with their books to be signed. One was wearing a “Double Tap” Zombieland T-shirt. I glanced at the shirt, smiled, and said, “Nice!”

I opened up the first book, then froze as I realized exactly what I had just said while looking at this woman’s chest.

“Oh, crap. I’m sorry, I just realized how slimy that sounded!”

Did you know that baldness means your entire scalp blushes? I’m told I turned a quite lovely shade of red.

They were both very understanding, and there was much laughter at my expense, which was fine. But it’s been a long time since I’ve jammed my foot that far down my throat…

July 26, 2011 /

The Eric James Stone Axiom on Homosexuality

The New York Times has a slideshow of same-sex marriage photos here which show a tremendous amount of joy and happiness. But not everyone is happy about this. Hell, my state passed a constitutional amendment stating that, “the union of one man and one woman in marriage shall be the only agreement recognized as a marriage or similar union…”

I don’t get it. I’ve never understood why some people feel that same-sex couples are so dangerous. As I tried yet again to wrap my mind around it, I thought of Lavie Tidhar’s story The School, which includes the following line:

“Homosexuality is a genetic defect. This is known as the Eric James Stone Axiom.”

Stone is a Nebula-winning author and, from what I can tell, a fairly intelligent human being. So I went looking for his own words. I didn’t expect to be persuaded, but I wanted something to help me understand where he and others like him are coming from. I found the following:

Homosexuality is a defect.

That doesn’t mean homosexual people aren’t human, of course. Neither does it mean they should be treated as less human than those who are heterosexual. There are people who are homosexual but who have gone on to do great things … But no matter how much we love and appreciate homosexual people, it doesn’t change the fact that they do not have something that, by design, they are supposed to have.

Stone also has a blog post in which he compares the redefinition of marriage to allow same-sex partners to the redefinition of marriage to allow people to marry barnyard animals. He asks:

Why are you offended? Why should you be upset that a sexual practice you do not care for is included in the definition of something you care about? Isn’t that exactly what you are doing by demanding that the definition of marriage be changed to include homosexual couples?

Arguing for an unchanging definition of marriage is ridiculously ignorant of history and the ways marriage has evolved. Should wives still be property? Should we continue to limit marriage to people of the same race? Should grown men be allowed to marry children?

The only explanation Stone gives for homosexuality being a genetic defect is the reproductive argument. “The reproductive organs weren’t put there just to provide sexual pleasure, after all.”

I know a number of homosexual couples with children, either the biological offspring of one partner, or adopted. But maybe those don’t count?

[ETA: My friend Catherine says Stone is describing homosexuality as a defect, but not necessarily a genetic one. I’m basing my description on his comment, “If a child’s genes showed it was going to be born homosexual, I see nothing morally wrong with changing that.” However, it’s worth reading Stone’s post and deciding for yourself. I might be off-base here.]

Stone’s view of homosexuality as a genetic defect doesn’t come from evidence of chromosomal damage. So does that mean they simply fail to live up to Stone’s personal beliefs about genetic purity? Bad science aside, his idea that we should “fix” people who don’t conform to his standards is, frankly, terrifying: “I don’t think correcting those defects through medical science … is problematic.”

I’m all for modern medicine. If you want to grow me a new pancreas, please do! But the idea that you get to decide which sexual preferences are defective and “fix” them is abhorrent. (Stone explains that this is only okay if you’re making homosexuals straight. The reverse is “morally wrong.”)

I don’t get it. The flaws in these arguments are so glaring to me. You’re upset because you don’t want anyone to change the definition of something you care about. I can follow that much. But you believe your sense of discomfort and offense is important enough to continue systematically denying legal status and protection to an entire class of human beings? That is obscene.

  • If you personally find same-sex relationships distasteful, fine. There are certain sexual activities I find distasteful. Which is why I don’t do them.
  • Your religious beliefs are your business. They are not and should not be the basis for law. If you use them as justification to discriminate against others, don’t be upset when others decide you’re an asshole.
  • Reproduction is not the be-all and end-all of human civilization. If you want kids, great! I’ve got two, and I love ’em dearly. But you don’t get to force your choice on everyone.
  • “Genetic defect” is a phrase with actual meaning. Here’s a hint: the definition isn’t based on your personal/religious beliefs.

My congratulations to the newlyweds in New York. I look forward to the day when same-sex couples throughout the United States are able to share in that joy.

July 22, 2011 /

First Book Friday: Bradley Beaulieu

Today’s episode of First Book Friday is brought to you by the letter ñ. Previous entries in the series are indexed here, and the submission guidelines are over there.

Bradley Beaulieu is a fellow Writers of the Future winner, the author of a number of published short stories. His website is named “quillings” in honor of Tolkien and his literary discussion group, the Inklings. That has nothing to do with first books, but I found it interesting.

Read on to learn about the inspiration behind Beaulieu’s debut fantasy novel, and his sale to Night Shade Books. When you’re done, you can check out the book or find Beaulieu on LiveJournal and Twitter.

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First of all, thank to Jim for letting me stop by on First Book Friday. I’ll have to admit that The Winds of Khalakovo [Amazon | B&N | Mysterious Galaxy] didn’t have a terribly exciting path to publication. It was pretty straightforward, actually. It’s the stuff that led up to it that’s interesting.

So I think in this post I’ll talk about the creative path I followed and then the actual nuts and bolts of the sale.

After my agent finished reading the ms, he mentioned that he pictured one of my main characters, Rehada, as Rima Fakih. Remember her? She won Miss USA last year and there was a kerfuffle because she was (gasp) a Muslim-American. I replied that yes, Rehada was similar to her, but it was an interesting segue because I already had a picture of Rehada—at least one that I began with when I started to envision the characters.

Rehada—and just about every other main character in the book—was created from some artwork I saw in Edinburgh in 2004. My wife, Joanne, and I were on a whirlwind trip through the UK, and we stopped in Edinburgh for a few days. We visited the National Gallery of Scotland, and I was so struck by some of the portraits there that I decided I would take the ones that struck me the most and write a story from them. I still have the postcards near my computer desk. They aren’t exactly like I picture them anymore (now that the first book is written) but they’re still quite close.

It’s an interesting technique, and one I’ll use again, that of taking individual portraits and using them for inspiration. I’ve already repeated the technique for a new book I’ve started (but not yet finished) and once again it helped to crystallize my thoughts. The characters as I envision them in the book end up deviating from the art, but it’s nice to have something to go back to, to find the grounding and original inspiration you had when you started the work. It’s so easy to get off track; having something like these helped me to stay true to what I was shooting for when I launched into the novel.

I also wanted to share the sexy (so kidding!) steps of the actual sale. I had been making steady progress throughout the years in short story sales. I had attended a number of workshops, and I think my name had at least some recognition by editors, either from short stories I’d published or personal connections I’d made at conventions. Some people will say that you shouldn’t go and sell yourself at conventions. If an opportunity comes up, they say, and an editor or agent asks you what you’re working on, go ahead and take advantage of it. I don’t doubt that that’s good advice for some. Just not for me. I believe that editors and agents are at cons not just to sell books, but to see who’s coming up in the field. They’ll get to know a certain percentage of the newcomers from their short sales, or even novel sales, but they can’t read everything. They can’t even read a small percentage of the fiction that comes out each year. So, frankly, it’s up to me to make them aware of who I am.

Now, that doesn’t mean you should be pushy. You should be friendly and businesslike. Keep things short and sweet and as casual as you possibly can. And that’s exactly what I tried to do. I approached Jeremy at World Fantasy in San Jose (2009) and told him I had an epic fantasy that he might like. I pitched it as “The Song of Ice and Fire meets Earthsea.” He asked me if I had an agent. I said no. Night Shade doesn’t normally take unagented mss (and I should probably ask Jeremy some day if he gets annoyed that I tell this story), but he said he liked the cool pitch and said to send it his way. Roughly five months later, I got an email from Jeremy, offering to publish the book.

That’s my story. It seems short and sweet if I focus on the sale, but believe me, it was a long time in the making

July 20, 2011 /

Signings and Revised Cover Art

Announcement the First: I’ll be at Schuler Books in Okemos tonight starting at 7:00, where I’ll be reading, chatting, and signing books. If you’re seeing this, it means you’re invited and should immediately DROP ALL OTHER PLANS and get out there!

Announcement the Second: On Friday, I’ll be at Festibooks, as part of the Ann Arbor Art Festival, along with folks like Tobias Buckell, Saladin Ahmed, Sarah Zettel, and more.

Announcement the Third: Eventually, my books will go out of print, at which point I intend to get them posted for sale as e-books. So I was thinking about cover art, and came up with the following new redesign scheme. What do you think?

July 19, 2011 /

Kitemaster Collection Coming August 15ish

Kitemaster & Other Stories will go on sale around August 15. (I’d love to set a firm date, but some of it depends on how long B&N and Amazon and the rest take to update their systems.) The lineup includes the following stories:

  • Kitemaster
  • Untrained Melody
  • Blade of the Bunny
  • Over the Hill
  • Spell of the Sparrow
  • The Creature in Your Neighborhood

The price will be $3.99, which comes to 66 cents per story. As a special bonus, the collection will also include a sneak peek at the first chapter of Libriomancer.

I’ve seen mixed data as to whether it’s more effective to sell individual short stories vs. bundled collections like this, but you know what? It’s enough work putting together a good e-book collection. I don’t have time to prepare six different covers, get six different files uploaded to various sites, and of course, to update those files on the different sites when and if something should change.

Reviewers wanted: I’d like to send out about some review copies, and hopefully get some reviews posted next month. If you have a review site or a blog with a decent sized following and you’re interested in reviewing Kitemaster et al., please leave a comment. I can’t promise free books for everyone (I’m currently $200 in the hole on this project), but I’m hoping to get at least 10-20 copies out early. Maybe more, depending on demand.

July 18, 2011 /

First World Problems and White Whines

A while ago, somebody on LiveJournal linked to White Whines, one of several sites which collects “first-world problems.” There are certainly some spoiled, privileged, and sometimes humorous posts collected here … but the whole concept bugged me.

Partly, I hate playing Competitive Problems. Yes, it’s important to keep perspective, and to recognize that there are others out there with far more serious problems than mine … but that doesn’t make my problems unimportant. Jay Lake talked about it a bit on his LiveJournal a few months back:

Friend: “Man, I feel lousy. I have a cold.”
Jay: “Man, that sucks. I hope you feel better soon.”
Friend: (embarrassed) “Oh, wait. You have cancer. Never mind.”

Because cancer is the trump card of Competitive Problems. (Okay, now I’m tempted to write the rules of this game. Diabetes gives me a +3 to complain about health problems, but I also lose one point per published book for any writing-related complaints…)

Where was I? Oh, right. What bothers me more than the “Ha ha, your problems aren’t real problems,” attitude (and I will admit I don’t have a ton of sympathy for some of the problems posted), is the whole concept of lableing these things “white people’s problems” and “first world problems.” As it turns out, “third world” isn’t actually shorthand for “Everyone is poor and starving and diseased and waiting for the west to swoop in and save them.” Here, have a few images from third world countries like India, South Africa, Brazil, and Tanzania.

I could write a long-winded post trying to unpack the various problematic assumptions here, but I decided to go a different route instead. Feel free to substitute “first world” and “third world” for white and PoC in my comments below.

Four more modified White Whine images behind the cut…

More

July 16, 2011 /

The Death of Print, Part Whatever

I’ll be the first to admit there’s been some bad news for bookstores lately. Borders is facing liquidation. Barnes & Noble is doing better, but they’ve had a few speed bumps as well.

So what does this all mean? Are we seeing the long-predicted Death of Print Books? Are the folks who claim New York publishers are dinosaurs, and everyone should run to self/e-publish instead, actually right?[1. I really wish we had a simple term for self publishing electronically.]

I did see a dropoff in my Bookscan numbers when Borders closed a group of their stores earlier this year. Maybe doomsday is finally here. Maybe the print book is finally going the way of the 8-track.

The more speculation I read, the more eager I became to see my Bookscan numbers for Snow Queen’s Shadow, which came out at the start of this month. Maybe the end of print, which I’ve been told is just around the corner for roughly a decade now, had arrived at last.

Behold, my print sales for each of my books after release week:

The first  thing most folks will notice is the big jump from Red Hood’s Revenge, and the dropoff when Snow Queen came out. Aha! Print is dying!

Actually, Red Hood is an anomaly. Penguin/DAW arranged to get that book included in a riser display in Barnes & Noble, which means the biggest chain in the U.S. ordered more copies and displayed the book more prominently, leading to much higher early sales.

If you eliminate Red Hood, then according to Bookscan, the new book sold more print copies in its first week than any of my previous books, just edging out Mermaid’s Madness.

What does this all mean? Not too much, to be honest. I’m one author, and there could be any number of factors going on here. Maybe I’ve been getting more popular, and the increase in my readership was significant enough to offset dwindling print sales. Maybe because this was the last book in the series, everyone rushed out to get it right away, and I’ll see a faster dropoff in future weeks’ sales. Maybe my Mom bought 1000 copies because she loves me.

But the fact that my print sales are continuing on this curve suggests to me that despite some problems, print ain’t dead yet.

Sure, that doesn’t mean paper books won’t go belly-up tomorrow. But I’ve been hearing predictions of the end of books and commercial publishing for a long time, and I’m just not seeing the data to support it. A new equilibrium between print and e-books, absolutely. The death of print? So far, not so much.

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July 15, 2011 /

First Book Friday: Mette Ivie Harrison

First Book Friday is back from vacation, and would like to remind you all that submission guidelines and the index of previous authors are both available on the website.

Today we have Mette Ivie Harrison, who has written (among other things) three princess novels. As we all know, writing princess books makes you AWESOME! She’s also done a novel about the magic mirror from Snow White. (If she starts writing about goblins too, I’ll be spooked.)

Harrison is also an avid triathelete. You can find her on LiveJournal and Twitter.

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By 2000, I had been writing seriously for six years and had completed twenty novels, some for adults, some for children. I persisted in a (perhaps) naive belief that if I wrote a novel good enough, it would be published. If I hadn’t been published yet, it was because I wasn’t good enough. And by good enough, I meant so good an editor couldn’t say no to it, not just as good as other things on the shelf. I also firmly refused to believe that “connections” were the way to sell a first novel. I’d met editors at conferences, and I certainly sent to them first, but I also sent queries to just about any listing in Writer’s Market that fit the genre I was working in.

When I was sending out The Monster in Me [Amazon | B&N | Mysterious Galaxy] in proposal form after many years of revision, the Holiday House listing in Writers Market said to send proposals to “Acquisitions Editor.” I suppose they had given up putting in a name because the people in that position rotate so fast that by the time the book is printed, there is someone else you should send it to. I cringed not to have a name, but I sent it anyway. Then I went back to work on something else, in this case on Mira, Mirror, a retelling of the Snow White fairy tale from the mirror’s point of view. About three months after I sent off the query, I got a reply from Suzanne Reinoehl, a real name! She asked to see the whole manuscript of Monster, which I sent off to her the next day. I was hopeful, but I’d had people request full manuscripts dozens of times before. I knew it didn’t mean anything. Or it might not mean anything.

Three months after that, I got a phone call. Caller ID told me it was from Holiday House and my heart started pounding. Sure enough, it was Suzanne Reinoehl making a modest offer on Monster. I told her that I was very interested, but that I was working on getting an agent and would prefer to have the agent seal the deal. Then I hung up and called a couple of agents who still had not yet rejected me. One of them, Barry Goldblatt, asked me to send the manuscript to him, since the manuscript I had sent to him was actually a different one out of those twenty I had written. He took the weekend to read it and got back to me on Monday, offering representation. Then he went to bat getting me the best deal possible from Holiday House. He called a couple of editors at other houses who had read the manuscript in earlier stages to see if they were sure they didn’t want it, but in the end, I signed with Holiday House.

My second book, Mira, Mirror [Amazon | B&N | Mysterious Galaxy], was actually the manuscript that I had sent to Barry when I first queried him, and which impressed him enough that he had considered offering representation before I had an offer on the table for Monster. He was a new agent at the time and had been recommended to me by a friend who also signed with him that year. Mira, Mirror sold two years later to Viking, and I have since focused mainly on writing fantasy for young adults, sometime fairy tale retellings, character-driven, and a little on the dark side.

When I go to conferences and talk to other writers, I continue to send the message that if that first manuscript doesn’t sell, work on another one. And another. And another. In the last ten years, I have yet to meet anyone who has written more than twenty novels before being published. Not everyone is as persistent or as foolishly optimistic as I was then. Or perhaps they don’t have the energy. I had four children under the age of 7 at the time and woke up at 5 almost every morning to work on my writing before the kids needed me. I was a nap Nazi, making sure that they all slept at the same time in the afternoon so that I could fit in another hour. I’m not sure exactly how I managed to do all that, but it mattered a lot to me. I had wanted to be a writer since I was in Kindergarten, and had lived through a lifetime of questions about when I would get a “real job.” I think that drove me, along with anger over the loss of a university position after years of working to get a PhD.

That first phone call with Barry, when he offered representation, I have a clear memory of going into the storage room in the basement of my parents’ house, where we were staying in order to get our finances in order, and holding the unlockable door shut for over an hour while six children (my own four and two others I was babysitting daily for extra money) alternately banged on the door and cried. I was trying to hold an adult conversation that was important to the rest of my life. I think I actually was able to understand most of what Barry said to me to understand his vision of a writer’s career, his tastes in literature, and his view of me as an author. I think I was mostly coherent in return, and not as eager as I was tempted to be. I really hope Barry couldn’t hear the kids crying in the background. When I came out, I got them lunch and went back to my regular life. Everything had changed, and nothing had changed.

July 14, 2011 /

Proposing a Dumbass Amendment for Gun Laws

I learned to shoot a rifle roughly twenty-five years ago. I was an NRA member for a while, learning to target shoot and getting pretty good at it. At Boy Scout camp, I was actually involved in a marksmanship contest one summer. (I was disqualified because my technique was illegal. Sure, I put the bullet dead center through the bullseye, but because I steadied my rifle wrong, it didn’t count. Not that I’m still bitter or anything.)

That said, I would like to propose a slight rewording to the Second Amendment.

“[T]he right of the People to keep and bear arms shall not be infringed unless you demonstrate that you are a complete and utter dumbass when it comes to gun safety.”

Take, for example, a state senator who pulls a loaded handgun with no safety and points it at a reporter’s chest.[1. Disclaimer: as usual, you should probably avoid reading the comments.]

“Oh, it’s so cute,” Klein said, as she unzipped the loaded Ruger from its carrying case to show a reporter and photographer. She was sitting on a leather couch in a lounge, just outside the Senate chamber.

She showed off the laser sighting by pointing the red beam at the reporter’s chest. The gun has no safety, she said, but there was no need to worry.

“I just didn’t have my hand on the trigger,” she said.

Gun safety rule number one, straight from the NRA (hardly a bastion of liberal gun-haters), is “ALWAYS keep the gun pointed in a safe direction.”

I’m not afraid of guns. I’m afraid of people who think guns are toys. Who think they’re cute. Who don’t have the first f***ing clue how to treat a gun. Who think guns are status symbols to be worn like those flag lapel pins.

Lori Klein, you scare the hell out of me. Not because you carry a gun. But because, despite your “informal training,” you obviously haven’t learned to respect them. Per my new Dumbass Amendment, please turn in your little pink .380 until such time as you can demonstrate that you’re no longer a dumbass.

I recognize that comments on this one could get heated fast, so I’ll be moderating as needed. Discussion and debate are fine, but please keep it civil.

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New Books in 2025

Kitemaster:
Amazon | B&N | Bookshop
Read the First Chapter: PDF | EPUB

Slayers of Old, Coming Oct. 21:
Amazon | B&N | Bookshop

Blog Archives

Free Fiction

  • Stranger vs. the Malevolent Malignancy, at Podcastle
  • The Creature in Your Neighborhood at Apex Magazine
  • How Isaac Met Smudge at Literary Escapism
  • Gift of the Kites at Clarkesworld
  • Original Gangster at Fantasy Magazine
  • Goblin Lullaby (audio) at PodCastle
  • Spell of the Sparrow (audio) at PodCastle

Banner artwork by Katy Shuttleworth.



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Jim C. Hines