Jim C. Hines
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August 17, 2010 /

Lego Puppet

On Thursday, my wife and I will be flying out to Nevada for a good friend’s wedding, so blogging may be a bit sparse for the next week.  The trip should be fun.  Things like packing and figuring out how to get from point A to point 12 and what airport security is going to say about my wife’s walker, not so much.

It’s been over a decade since I lived in Nevada.  I’m looking forward to seeing some friends again.  Any tips for surviving airport madness?

In the meantime, LEGO Puppet. 

Because, come on — LEGO puppet!  This is Gazebo, and he was built by Doctor Mobius.  You can click on the link or thumbnail for more pics, but I’d recommend checking out the video first for the full effect.  I was much amused.

August 16, 2010 /

Unholy Ghosts, by Stacia Kane

As I start thinking more about my next series, I find myself paying attention to what makes books stand out. Why does one fantasy hit big while another goes out of print and disappears?

This was in the back of my mind as I read Unholy Ghosts [B&N | Mysterious Galaxy | Amazon], by Stacia Kane (stacia_kane on LJ). From a distance, this looks like another urban fantasy, albeit with a cooler cover than most, but two things stood out as I started reading:

1. The setting. Urban fantasy, yes … but we’re talking about postapocalyptic urban fantasy.

2. The protagonist, Chess Putnam, is an unapologetic drug addict.

When the world changed and the dead rose, only the Church of Real Truth was able to control them.  Chess works as a debunker for the church, prosecuting those who falsely claim to be haunted, and dealing with the occasional real ghost. Her latest job puts her squarely in the sights of two rival drug dealers, a powerful ghost, and a conspiracy to destroy the church itself…

I admit, I struggled some with Chess’ character.  I grew up in the Nancy Reagan “Just say No!” years, so reading about a protagonist constantly scarfing pills and anything else she can find to give her that high … it’s distasteful.  Glancing through some reader reviews, I see I’m not alone in my discomfort.

But it also felt appropriate for the character, and for the world.  This is a dark, broken world.  The old religions have been destroyed, and the Church of Real Truth rules.  We’re shown some of the ruins of the old world, and what emerged feels rather dysfunctional … though Chess is our lens to this world, and she doesn’t strike me as the most reliable narrator, so I could be wrong.   (I’m hoping to see more of the world in future books, so that I can do a better job explaining why and what all feels dysfunctional to me.)

I do wish we’d learned a bit more about the Church and its employees.  We see much more of the drug dealers and enforcers than we do the Church folk, and partly as a result, the latter can come off as a little flat on occasion.  (Hopefully this is another area which will be explored more in the next books.)

It was a good book, from the very first (and awesome) opening line.  It definitely kept me turning the pages.  Kane takes risks with her writing, and even though I suspect those risks might turn some readers off, I think they resulted in a stronger, more interesting book.

So the lessons I’m taking from this one?  Take risks.  Be different.  Don’t be afraid to go there.

You can read an excerpt on Kane’s web site.  And for those of you who’ve read it, what did you think?

August 13, 2010 /

First Book Friday: Lisa Shearin

Welcome to First Book Friday, an ongoing series exploring how various authors sold their first books.

Today’s story comes from bestselling author Lisa Shearin (whose latest book Bewitched & Betrayed had a cameo in the new music video from The Guild — and yes, I’m jealous!)  Lisa talks about the excitement of getting The Call … both Calls, actually.  Lisa is also an active blogger, providing 23 metric tons of useful publishing and writing-related information each month at http://www.lisashearin.com/blog/

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My first sale was Magic Lost, Trouble Found [B&N | Mysterious Galaxy | Amazon], the first book in my Raine Benares fantasy adventure series.  Over more years than I care to remember, I wrote two books that were the warm-ups for Magic Lost, Trouble Found.  Once I found my voice, and a plot solid enough to hang a story on, MLTF took me about 3-5 years to write.  (That’s a big difference from the nine months or less that I now take to write my books.)

The first step for me in getting that first publishing contract was to get an agent.  I’d read where Kristin Nelson (Nelson Literary Agency) was looking for fantasy with a strong female protagonist.  If that didn’t describe Raine, I didn’t know what did.  I sent a query letter.  Kristin requested the first three chapters, then the entire manuscript.  Then came weeks of me jumping every time the phone rang or the e-mail beeped.

“The Call” came during the day while I was at work (at the day job). When Kristin said she loved my book and wanted to represent me, I did a lot of silent squeeing and fumbling to find a pen and paper to take notes. That alone shows how completely befuddled and caught off guard I was — I’m an editor, writer and proofreader at an advertising agency; I’ve got pens and paper all over the place. I had two other agents who were also considering my book, but I really wanted to sign with Kristin. Why? Because she was so excited about my book and seemed to love my characters as much as I did. For me, that was a must-have for an agent.

The frustrating part of getting The Call at the office was that while my co-workers congratulated me, they had no clue how freaking HUGE and MAMMOTH and HUMONGOUS this moment was for me. It’s definitely more fun to squee with people who know why they’re squeeing with you.

As to the e-mail from Kristin saying that we had an offer of a two-book contract from Ace Books — that one came at home. I’d just gotten home from work and had been checking my e-mail like crazy every day. When I saw the subject line “We have an offer” or something to that effect, first I stopped breathing. Second, I let my breath out, took another one, and told myself to keep breathing. Then I opened the e-mail.

And screamed.

Bear in mind that I was at home and so was my husband Derek. Now he understood how huge, mammoth, and humongous this news was, so when I burst into tears, I got the perfectly appropriate response of enthusiastic hugs and kisses.  The dogs were crowded around us and jumping up and down — they had no clue that mom had just scored a two-book deal; they just wanted to share in the excitement.

Lisa and Lucy reenact the celebration of that first sale.
Lisa and Lucy reenact the celebration of that first sale.
August 11, 2010 /

La Gloire du Gobelin

1. Remember when I did those 20 Neil Gaiman facts?  Author Ann Aguirre is running a contest that involves Jim C. Hines facts, and she’s giving away all of my books as prizes.  I just … wow.  Go.  Go now.

2. In further awesome and ego-boosting links, Catherine Schaff-Stump has written up her thoughts on Red Hood’s Revenge.  But this is no ordinary review; this is the English professor treatment, and it is most nifty.

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So anyway, when I posted a picture of my ego shelf a while back, I mentioned that I was missing a single book: La Gloire du Gobelin, the French edition of Goblin Hero.

I finally said the heck with it, went to Amazon.ca, and plopped down $30 to get a copy of the book.  It arrived yesterday.

One of the things I loved about the first book was that they included additional artwork on the back cover.  They did the same for book two.  Here, for your enlightenment, is the back cover art for La Gloire du Gobelin:

Okay, I don’t recall Veka being bald, but it’s been long enough since I wrote that book, maybe I’m misremembering.  And I love that Braf’s back there with his finger up his nose.  Grell and her cane are pretty cool too.

Then there’s Slash the hobgoblin.  Here, take a closer look:

I stared at this for a long time, trying to understand.  Was it a hobgoblin night light?  A PSA about the tragic effects of snorting LEDs?  A rogue pixie who got lost and flew up Slash’s nose by mistake?  Some sort of Christmas–

And then I remembered.  There was a scene where Veka cast a spell on Slash’s nose, wasn’t there?  (It’s been five years since I printed out that manuscript and sent it in.  I’m allowed to forget a few details.)

I’m not going to pick on my former publisher.  I have no doubt the artist did a great job with the directions he or she was given.  But I can’t help noticing that for some reason this book, with nose-glow Slash on the back and Jig in blue jeans and church lady glasses on the on the front, apparently did not sell well enough for my French publisher to pick up the third goblin book.

Ah well.  Overall, I’ve had incredibly good luck with my cover art.  And at least this one gives us Braf with nose-picking action!

What do you think?

August 10, 2010 /

Previously, on Princess Trek…

So I’m working on book four of a series, and I’m struggling with is how to provide all of the background information.  I’ve now got 300,000 words worth of “what came before.”  Not all of that information is relevant to the current book, but some of it is.  So how do you work that in?

There’s the “Our story so far…” approach, where the author presents a prologue that sums up the previous books.  I can see where that might be useful in an ongoing story, like book four of Lord of the Rings or part two of a Star Trek episode.

But personally, I’m not too fond of the Prologue of Summarized Backstory, and my books are a bit more episodic, meaning I don’t think there’s a need to sum up everything that’s come before.

With the goblin books, I went for the silly.  Book two had a song to the tune of Sweet Home Alabama, which summed up the events of Goblin Quest.  Book three opened with “The Recitation of the Deeds of Jig Dragonslayer,” a quasi-religious goblin-style list of events.

That doesn’t really work for the princess series, which doesn’t have the same kind of goofy humor.  So I’ve been taking the approach that I’ll just write the story and include background info when and if it becomes important, just as I would with any other information.  Even with a brand new story, there’s always “what came before,” and the author has to work that in.

But how much do I have to tell?  Do I assume most everyone has read the first books, and I don’t have to explain — again — where Danielle’s sword came from, or what happened to Charlotte, or who Captain Hephyra is?  Or do I assume there will be new readers which each book, meaning it’s important to add a paragraph or two to explain various details to the new readers … even though people who’ve read the rest of the series might roll their eyes and say, “I know this already.  Get to the good part!”

The latter is a complaint I’ve seen in a few reviews lately.  Not a major criticism, but a minor annoyance, especially for people who picked up all three books and read them at once.

I don’t know.  It’s important to me that the books stand alone as much as possible, so that anyone can pick up any of my books and start reading.  For that reason, I’m thinking it’s important to include some explanation for things from prior books that come up in this one.

Maybe the trick is to find a new way to present the same old information, so that even people who know the background will be entertained, or at least not bored.  Or maybe I shouldn’t worry about explaining, trusting that those gaps won’t throw new readers out of the story.  That they’ll either figure it out from context, or if they’re worried, that they’ll go back and get the earlier books.

What do you think?  Examples, both good and bad, are more than welcome.

August 9, 2010 /

The Death of Print/Publishing, Part MCCLWTFXVIII

Dorchester Publishing recently announced they were dropping their mass market line and moving to an e-book/print-on-demand model.  Dorchester’s president John Prebich describes his company as pioneers, boldly leading us into the electronic frontier.  This has led to a new round of “print is dying,” and e-books are the way of the future.  There’s an almost religious fervor to it.

J. A. Konrath suggests the end is nigh for commercial publishers, and self-publishing is the way to go.  His anonymous sources claim sell-through on printed books is as bad as 20%.  He describes a (hypothetical) commercially published author who gets a $50K advance and 30% sell-through, selling a mere 9000 print copies in the first year–

But wait, let’s back up and take another look at Dorchester, who’s been in trouble for a while.  “Dorchester had serious cash-flow problems throughout 2009.”  (Thanks to Nick Mamatas for that link.)  The move to e-books/PoD isn’t as much a dramatic step into the future as it is a desperate attempt by one publisher to stay in business.

As for Konrath, he’s done an excellent job positioning himself as a champion of self-publishing.  I have no doubt he talked to somebody, somewhere, who reported sell-through could be as bad as 20%.  But “as bad as” generally means the low edge of the bell curve.  Not the normal or the average, but the worst-case scenario.

To offer an alternate data point, my books have a sell-through around 80%.  I’m not aware of anyone whose sell-through is down at 20-30%.  I’m sure it happens, but to base an argument on those numbers is, in a word, silly.  As for the rest of the example, well, I sell more than 9000 print copies in a year, and my advances are far lower than $50K.

I’m not saying Konrath’s example couldn’t happen.  It’s possible.  It’s possible to be struck by lightning seven times, too.  But it ain’t the norm.

Wait, you say.  80% sell-through still means 20% returns, right?  Doesn’t it make more sense to go electronic/PoD, where there are no returns and you can get 100% sell-through?

That depends.  80% of what?  100% of what?  Konrath proposes that his hypothetical author will sell 5000 e-books in that first year.  I’m curious where that number comes from, particularly given a New York Times report in which “publishers point out that e-books still represent a small sliver of total sales, from 3 to 5 percent.”  If I had to choose, I’d take 80% of a 20K print run over 100% of the <1000 copies my books have sold electronically.

Konrath also argues that:

“The main reason we need publishers is for distribution. We can’t get into Wal-Mart or Borders on own own. They can. So we accept 8% royalties in order to sell a lot of books. But if publishers are no longer printing books, there is ZERO reason to sign with them, because they no longer have that advantage.”

Distribution is part of what my publisher does for me … but it’s not the only thing.  They pay professionals to create my cover art, and to edit, typeset, and proofread my book.  They do the work of converting my books into electronic formats.  They pay for advertising and promotion.  Basically, they do a ton of work to sell my books, which allows me to worry about writing them.

Publishing is changing.  My guess is that we’ll eventually hit a new equilibrium point between print and e-books, and I do think e-books will be a larger percentage of book sales than they are today.

I’m not bashing self-publishing, either.  For some people, it’s the right choice.  Konrath certainly makes it work.  My friend John Fitch V sold more than 100 books last month, which is damn good for the self-published route.

Both e-books and self-publishing have their strengths and advantages.  And I could be wrong — it’s possible print and/or commercial publishing are on the way out.  But I’ve been hearing about the imminent death of print and commercial publishing for more than a decade, and it’s getting a little old.

August 7, 2010 /

Clara’s Butterfly

Last month, my daughter Clara came back from a trip up north with several monarch butterfly caterpillars, which she took care of.  Each one went into a chrysalis, and all but one turned into butterflies.  Today the last butterfly emerged, and I thought I’d share a picture.

Why?  Because it’s a neat picture from my daughter doing something cool, that’s why 🙂

This one emerged after the others, which have already been released.  We’ll probably give her a day or so to get used to the wings, then turn her loose.

August 6, 2010 /

First Book Friday: Joshua Palmatier

Welcome to First Book Friday, an ongoing series exploring how various authors sold their first books.

Today’s post comes from fantasy author Joshua Palmatier, a.k.a. Benjamin Tate.  His latest book is Well of Sorrows, his fourth novel for DAW Books.  Joshua also runs the DAW Books Community on LiveJournal.

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First of all, thanks to Jim for inviting me to guest blog about my first novel sale! It’s certainly an experience an author never forgets.

My first professional novel sale was The Skewed Throne [B&N | Mysterious Galaxy | Amazon]. This was the fourth book I’d written and the fourth that I’d seriously attempted to sell. I began writing it in the summer of 2002, while in my third year of graduate school, seeking my PhD in mathematics. At this point, I’d been seriously trying to get published for about seven years, sending out queries to agents and editors for the other three books I’d written. I had a list of agents and editors that had been refined using the multiple rejections from those other books. So I had agents who were interested in my writing but hadn’t seen a book from me that they thought would be a good “first” novel. I also had a few editors, specifically Sheila Gilbert at DAW Books, who had seen all of the previous books and wanted to see whatever I wrote next.

I spent that summer writing the first half of The Skewed Throne, put it on hiatus while I worked on the PhD for the Fall and Spring semesters, then finished the book in the summer of 2003. I immediately started sending it out to my list of agents and editors, including Sheila Gilbert at DAW—agents in batches of 7, and one editor at a time. I got multiple rejections (some of them rather harsh) from the agents right away and began working my way down the list, completely and utterly discouraged. I’d reached a point where I’d literally told my local writing support group, “If this didn’t sell, I was done writing.” I don’t believe I would have—or could have—followed through on this, but that’s how beat down I felt at the time. Thankfully, I had PhD work to cheer me up!

I got interest from one agent. YAY! Except, she wanted me to revise the manuscript so it was more YA and change it from first person to third. I spent a month doing that, and the agent’s response was, “Sorry, no longer interested.” This pissed me off, so I rewrote the entire book again, changed it all back to first person, eliminated the YA elements, and created a new list of agents to send it to, including Amy Stout, a new agent at Lori Perkins Agency. Amy expressed interest immediately, but I was wary at this point. We spent a few hours discussing the book on the phone. After extensive questioning, I felt that I could work with Amy and that she had realistic expectations for the book and for revisions. I agreed to let her represent me and told her the book was already on submission to Sheila at DAW.

So by fall 2004, I had an agent and the book was on submission to DAW. I was also nearing the end of the work on my PhD, looking for jobs while finishing off the dissertation. I focused on that (I had an agent to focus on the book now), and while I was away at a mathematics conference in January 2005, I got a call from Amy saying Sheila was interested in The Skewed Throne and, oh, by the way, if there were sequels they wanted to take a look at those, too.

After the resultant OMG OMG OMG dance, I wrote up synopses for sequels and sent them off.

Within three months of getting Amy as my agent—and just under three years after sitting down to start writing the first book—I had a three-book deal with DAW for the Throne of Amenkor series. Since then, all three “Throne” books have been published in English and translated into German. Oh, and in May 2005, I got my PhD.

2005 was a very good year. *grin*

August 5, 2010 /

Thursday Stuff

I surrender!  Yesterday I wrote, “Does anyone even use Courier anymore, or is it hanging out with other forgotten fonts, drinking and talking about the good old days?”

Judging from your responses, I greatly underestimated the Courier love.  It sounds like a good number of people and places still use it.  Please consider me properly font-shamed.

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I don’t link to every interview I do, but I wanted to point out this one over on the Booklifenow site.  This is my favorite interview of 2010, purely for the throwaway line about Talia kicking Fred Phelps in the nuts.

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As most people know, California’s ban on gay marriage was overturned.  To celebrate, I’m tempted to write an alt-universe story where Snow and Talia get married, share a passionate smooch, and then join Smudge the gay fire-spider in kicking Fred Phelps in the nuts.

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Finally, and most importantly: who would win in a no-holds-barred death match between Optimus Prime, Wolverine, and Papa Smurf?

August 4, 2010 /

Changes in Publishing

One of the frustrating things about being a new writer is that you get different advice depending on who you ask.  I remember my confusion that the wisdom of Big Name Pros, the people who had been doing this for decades, was sometimes completely off-base.  But it makes sense — publishing is a changing field, and some of the rules of 20 years ago are different from the rules today.

Imagine my shock when it occurred to me that I started writing 15 years ago … that my own experiences were different than those of new writers today.  (Not to mention the fact that many of my fans hadn’t even been born when I started writing.  Eep!)

I sat down to take a look at some of the things that have changed since I penned my first story in 1995.

1. Electronic submissions.  All of my early stories were printed and mailed.  I went through boxes and boxes of manila envelopes.  Submitting by that new-fangled electronic mail?  Unheard of.  International submissions were sent with an IRC (International Reply Coupon).

2. Electronic markets.  There were few online ‘zines and publishers, and those that did exist were small and often amateurish.  (Strange Horizons showed up in 2000, and was the first professional-looking online ‘zine I knew of.  Happy 10th Anniversary, SH!)

3. Web sites. A web presence wasn’t required, though some of us were experimenting with pages and online journals. I put up my own page on that fancy new Geocities site.

4. Submission guidelines advised you to always use a fresh ink ribbon in your printer.

5. Market Research. You still had to do your research, but my first round of agent hunting involved several hours in the MSU library, reviewing the current Literary Agent Guide.  (I can’t recall the actual title of that tome.)  I also subscribed to Speculations, a print publication, to keep up with the short fiction markets.

6. E-books.  Wait, e-what now?

7. Standard Manuscript Format was 12-point Courier.  Two spaces after periods.  Underline to show italics.  Does anyone even use Courier anymore, or is it hanging out with other forgotten fonts, drinking and talking about the good old days?

8. I could walk into a bookstore and introduce myself as an author, and the staff wouldn’t instinctively flinch or hide.  (Also see: Vanity presses, explosion of.)

9. SFWA pro rate for short fiction was 3 cents/word.

10. My hair came down to the middle of my back.  (I maintain that the hair loss is writing-related, caused by stress!)

11. There were agents charging a 10% commission.  I’m not sure exactly when the switch to 15% happened, but pretty much every agent is working for 15% these days.

12. People were bemoaning the Imminent Death of Publishing, as opposed to the present day, when … um … never mind.

Strange to realize that even though my first book with DAW came out a mere four years ago, much of my experience as a new writer trying to break in is already a bit outdated.  And if that’s true, imagine what it’s like for someone who broke in even further back.

I’m not saying you shouldn’t listen to professional authors who talk about this stuff.  However, it’s good to be aware that publishing is constantly changing, and some advice from ten years ago might not hold today.  It’s also good to pay attention to whether the author giving the advice is aware of and in touch with those changes.

So what’s changed since you started writing?  Contributions to the list are welcome (as are regular old comments and discussion).

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Jim C. Hines