Review

The Tribe Series by Ambelin Kwaymullina

Ambelin Kwaymullina was the other Guest of Honor at Continuum earlier this year. She’s a delightful, intelligent, and all-around wonderful human being. Ambelin is an Aboriginal writer and illustrator from the Palyku people, and is the author of a number of award-winning picture books as well as a YA dystopian series.

She was kind enough to give my daughter the first book in that series as a gift. I picked up the second at the convention. Having read them both, I am now waiting Very Impatiently for the third and final book to come out!

Book one is The Interrogation of Ashala Wolf [Amazon | B&N | Mysterious Galaxy]. Book two is The Disappearance of Ember Crow, and doesn’t appear to be out in the U.S. yet. I’m not seeing it from Book Depository, either. Grumble.

Here’s the description in the author’s own words:

The Tribe is a three-book dystopian series set on a future earth where the world was ripped apart by an environmental cataclysm known as ‘the Reckoning’. The survivors of the Reckoning live in an ecotopia where they strive to protect the Balance of the world, the inherent harmony between all life. But anyone born with an ability – Firestarters who control fire, Rumblers who can cause quakes, Boomers who make things explode – is viewed as a threat to the Balance. Any child or teenager found to have such a power is labeled an ‘Illegal’ and locked away in detention centres by the government.

Except for the ones who run.

Sixteen year old Ashala Wolf leads a band of rebels who she names her Tribe. Sheltered by the mighty tuart trees of the Firstwood and the legendary saurs who inhabit the grasslands at the forest’s edge, the Tribe has been left alone – until now. A new detention centre is being built near the forest, and when The Interrogation of Ashala Wolf begins, Ashala has been captured by the government and is on her way to interrogation…

I loved these books.

Dystopia is popular these days, as is dark, gritty, often hopeless fiction. While these books certainly have a dark and dystopic setup, there’s also hope and joy and life and love. You read the books and you don’t walk away thinking, “Well, the world sucks, and everything is hopeless.” You walk away thinking, “Humanity sure screws things up sometimes, but we will survive, and we will make things better in the end.”

The characters are wonderful. Heroes and villains, humans and [spoilers]. There’s such a range of powers and personalities, and it all just works. I particularly like that we see a similar range in the government and elsewhere. There are no monolithic blocks of good or evil people. You get a sense of the larger struggle playing out throughout the world.

You wouldn’t think a book about an interrogation would be such a page-turner, but I lost several nights’ sleep to these books.

I did feel like book two stumbled a little at the beginning. When Disappearance begins, Ashala has retreated from the Tribe after accidentally injuring someone she cares about with her power. This part didn’t quite work for me, but that might be because I’m 40 years old, and I forget that Ashala Wolf and the rest of the Tribe are still kids. Regardless, once we moved past that part, the story once again sucked me in and wouldn’t let go.

Book two expands the scope and the worldbuilding in wonderful and completely unexpected-but-consistent ways. It’s a book about love and despair and history and family and religion and hope and evil and so much more.

So here’s the deal:

  • You need to go pick up book one and read it.
  • Candlewick Press needs to hurry up and release book two so I can push all of my U.S. readers to get it.
  • Ambelin Kwaymullina needs to magically make book three be out now so I can read it and see how everything comes together.

Any questions?

Radiant, by Karina Sumner-Smith

Radiant cover artI was fortunate enough to receive an advance review copy of Karina Sumner Smith‘s debut fantasy novel Radiant [Amazon | B&N | Mysterious Galaxy], which comes out on September 23. It’s a dystopian future fantasy, billed as book one of the Towers trilogy.

From the publisher’s description:

Xhea has no magic. Born without the power that everyone else takes for granted, Xhea is an outcast—no way to earn a living, buy food, or change the life that fate has dealt her. Yet she has a unique talent: the ability to see ghosts and the tethers that bind them to the living world, which she uses to scratch out a bare existence in the ruins beneath the City’s floating Towers.

When a rich City man comes to her with a young woman’s ghost tethered to his chest, Xhea has no idea that this ghost will change everything. The ghost, Shai, is a Radiant, a rare person who generates so much power that the Towers use it to fuel their magic, heedless of the pain such use causes. Shai’s home Tower is desperate to get the ghost back and force her into a body—any body—so that it can regain its position, while the Tower’s rivals seek the ghost to use her magic for their own ends. Caught between a multitude of enemies and desperate to save Shai, Xhea thinks herself powerless—until a strange magic wakes within her. Magic dark and slow, like rising smoke, like seeping oil. A magic whose very touch brings death.

With two extremely strong female protagonists, Radiant is a story of fighting for what you believe in and finding strength that you never thought you had.

The central premise made me think of Ursula K. LeGuin’s story “The Ones Who Walk Away From Omelas.” You have the same horrifying choice: the Towers can create a utopian existence, but only by horrifically enslaving and using their Radiants. We meet the Radiant, Shai, and see first her fear and pain, but as the story progresses, we watch her realize that if she does choose to stay away, she’ll be dooming her home Tower. It’s a great setup for the book.

Xhea doesn’t know a lot of this at first. She just knows she’s been hired to deal with a tethered ghost (Shai). It’s how she earns a little extra money and a hit of magic, which acts very much like a drug for Xhea. The summary talks about how Xhea’s experiences awaken a new, dangerous magic within her, but I think what’s even more powerful is the friendship and loyalty Shai awakens. Xhea has grown up in the dystopian ruins on the ground beneath the floating towers. Shai has grown up a tool of her society, little more than a glorified super-battery. Neither of them have much experience trusting others, nor reasons to do so. Which makes the relationship that develops between them that much more powerful. It feels like a well-written love story without the romance, if that makes sense. That relationship is great, and was for me the most touching and engrossing part of the book.

The secondary characters were well done too, often hard-edged and worn down by their broken society, but you still see glimpses of humanity and kindness and more.

There were some times when it felt a little bumpy — description that didn’t quite come together to create a clear picture in my mind, or scenes were the pacing felt a little off. All of which is pretty standard for a first novel, and none of it bumped me out of the story or diminished my enjoyment.

While this is book one of a trilogy, Radiant is relatively self-contained, coming to a satisfying ending while leaving some of the bigger, societal conflicts for the next books. I just hope Xhea has an easier time of it in the next one, because that girl ends up on the receiving end of more than her share of breaks and bruises.

You can check out the first chapter on Sumner-Smith’s website.

Stranger, by Rachel Manija Brown and Sherwood Smith

Three years ago, Rachel Manija Brown and Sherwood Smith went public with a post about a post-apocalypic YA novel they had written together. During the submission process, they received a response from an agent who offered to represent the book, “on the condition that we make the gay character straight, or else remove his viewpoint and all references to his sexual orientation.”

They refused.

Their post led to a great deal of discussion about the need for gay characters in YA literature. The agency in question also posted a rebuttal.

Stranger - CoverSo that’s the backstory. The book eventually sold to Viking Juvenile, with a publication date of November 2014. I’m happy to have gotten my hands on an advance copy :-)

Stranger [Amazon | B&N | Mysterious Galaxy] definitely has a western feel to it, as noted in the publisher’s summary:

Many generations ago, a mysterious cataclysm struck the world. Governments collapsed and people scattered, to rebuild where they could. A mutation, “the Change,” arose, granting some people unique powers. Though the area once called Los Angeles retains its cultural diversity, its technological marvels have faded into legend. “Las Anclas” now resembles a Wild West frontier town… where the Sheriff possesses superhuman strength, the doctor can warp time to heal his patients, and the distant ruins of an ancient city bristle with deadly crystalline trees that take their jewel-like colors from the clothes of the people they killed.

Teenage prospector Ross Juarez’s best find ever – an ancient book he doesn’t know how to read – nearly costs him his life when a bounty hunter is set on him to kill him and steal the book. Ross barely makes it to Las Anclas, bringing with him a precious artifact, a power no one has ever had before, and a whole lot of trouble.

I liked this one. There’s a lot of imaginative worldbuilding going on, particularly around the different powers people develop and the new forms of wildlife. The crystalline trees are awesome and terrifying. Also: telekinetic squirrels. They don’t get a lot of page-time, but just the fact that there are telekinetic squirrels makes me happy.

Smith and Brown rotate chapters through five (I think) different PoV characters, which was a little tricky to keep track of in the beginning, but I think it worked well. I’m less thrilled about the different font used for each PoV, but since I was reading an ARC, I’m not sure the publisher will keep that quirk in the final version. It might not bother you, but it distracted me.

There’s a lot going on here. You’ve got the eponymous stranger Ross Juarez, a loner with a bit of PTSD who finds a sense of community for the first time in his life … but there are those who don’t want him around, and others who just want to use him. There’s the larger conflict with a power-hungry king who’s been conquering neighboring towns. There are multiple romances. There’s internal political struggles between a family trying to create their own dynasty as leaders of Las Anclas and the changed sheriff who messed up their plans.

There’s also an ongoing story about discrimination and prejudice. You have open hostility and fear, and some of that fear is almost understandable, given the damage changes can do when people can’t — or don’t — control them. Poor Ross gets fear and suspicion from both barrels, as a stranger and someone with a suspected change.

I’m impressed by how well the multiple relationships, stories, and characters all come together. It did feel like there were some loose ends when I finished, and I’m hopeful those will be addressed in future books. But Stranger provides enough closure that I didn’t feel cheated. It’s a good ending, one that makes me want to pick up book two.

Oh, and yes, there are several non-straight couples in the book, and they’re treated with the same respect and variety as the straight couples. Surprisingly enough, I did not burst into flames, nor did my own heterosexual marriage immediately crash and burn. Go figure.

ETA: I’m told there will be a sequel, and it’s called Hostage, and it’s already written!

Memory of Water, by Emmi Itäranta

Memory of Water - CoverWhile at Detcon1, I was fortunate enough to receive a copy of the award-winning debut novel Memory of Water [Amazon | B&N | Mysterious Galaxy], by Emmi Itäranta. This came from Crystal Huff, who has been pushing the 2017 Helsinki Worldcon bid. Itäranta is a Finnish author, and as I understand it, she wrote the book in both Finnish and in English, and it’s been published in both languages. Speaking as an author, let me tell you, that’s pretty badass.

Here’s the publisher’s summary:

In the far north of the Scandinavian Union, now occupied by the power state of New Qian, seventeen-year-old Noria Kaitio studies to become a tea master like her father. It is a position that holds great responsibility and a dangerous secret. Tea masters alone know the location of hidden water sources, including the natural spring that once provided water for her whole village. When Noria’s father dies, the secret of the spring reaches the new military commander … and the power of the army is vast indeed. But the precious water reserve is not the only forbidden knowledge Noria possesses, and resistance is a fine line.

Threatened with imprisonment, and with her life at stake, Noria must make an excruciating, dangerous choice between knowledge and freedom.

This book was at times powerful and beautiful and tragic and depressing and triumphant. There’s not a great deal of action. The pace is almost leisurely at times, even as the tension ratchets every higher. Day by day Noira goes about her business, watching helplessly as the military imprison and execute others in the village for water crimes. The waiting builds suspense and fear far  more effectively than any series of graphic action or violence would have. There’s also the contrast between the horrors Noira witnesses and the beauty of Itäranta’s writing.

And then there’s the worldbuilding. The book is set in a post-apocalyptic Finland. Rising sea levels and other environmental catastrophes have eliminated most sources of fresh water and a serious, if uneven, regression in technology. We never get the full details about what happened, because Noria — like most people — doesn’t know the truth. She knows only the stories she’s been taught. But over the course of the book, she uncovers bits and pieces…

I’m sure that aspect of the book will come across as preachy to some, and there’s certainly a message here about waste and overconsumption and the environment. But given that we don’t even know the full details of what happened, it felt like a reasonable example of “If this goes on…” to me.

There’s also beauty here. The way Noria contemplates every detail of the tea ceremony, and the ideas and philosophy behind it. I don’t know enough to say whether or not the author’s description is accurate, only that it was beautifully written. There’s love as well. Noria’s relationship with her friend Sanja, who works as a plastic smith (digging up and repairing old plastic for the village) is a powerful source of conflict. While they love one another, the secrets Noria guards and the struggles they both face just to survive would strain any relationship.

You can read a sample at the HarperCollins website. I also recommend checking out this Kirkus interview with Itäranta.

Wickedly Dangerous, by Deborah Blake

Wickedly Dangerous CoverWickedly Dangerous [Amazon | B&N | Mysterious Galaxy] is the first book in a new paranormal romance series from debut novelist Deborah Blake, coming out in five weeks on September 2, and it’s a lot of fun. From the publisher:

Older than she looks and powerful beyond measure, Barbara Yager no longer has much in common with the mortal life she left behind long ago. Posing as an herbalist and researcher, she travels the country with her faithful (mostly) dragon-turned-dog in an enchanted Airstream, fulfilling her duties as a Baba Yaga and avoiding any possibility of human attachment.

But when she is summoned to find a missing child, Barbara suddenly finds herself caught up in a web of deceit and an unexpected attraction to the charming but frustrating Sheriff Liam McClellan.

Now, as Barbara fights both human enemies and Otherworld creatures to save the lives of three innocent children, she discovers that her most difficult battle may be with her own heart…

As some of you might know, I have a bit of a weakness for updated/retold fairy and folk tales, so seeing Baba Yaga brought into the 21st century with an enchanted Airstream trailer (complete with a fridge that at any given time might contain anything from baked chicken to an endless supply of cherry pie), a dragon disguised as a big old pit bull, and a load of magic, was pretty much guaranteed to draw me in.

Barbara is a great protagonist, powerful and compassionate, but also a bit out-of-touch with her human side. That happens when you spend most of your life moving about, hanging out with the supernatural, and never building any long-term relationships with mortals. Her love interest, Liam, was engaging as well, being a small-town sheriff with a good heart and some romantic/emotional scars, dealing with the double-barreled crap gun of corrupt politics and a case he’s not equipped to understand. They make a good team, and Blake definitely creates some good chemistry between them.

I winced a little at the treatment of Liam’s ex-wife. She’s quite broken, and at times it felt like she was there more as a plot device than as an actual character.

It looks like each book in the series will follow a different Baba Yaga, which I like. It means the book has a satisfying ending and a full plot arc, but also promises more to come. The epilogue sets up the next book, Wickedly Wonderful, which comes out in December 2014 and tells the story of Beka Yancy.

Wickedly Dangerous is a fun, fast-paced read with heroic protagonists, a clear battle of Good vs. Evil, love and romance, a happy ending, and a lot of nice little details. And also a dog-dragon. (Yes, I really like Chudo-Yudo.)

More info is available on Blake’s website.

A Barricade in Hell, by Jaime Lee Moyer

A Barricade in Hell [Amazon | B&N | Mysterious Galaxy] is the sequel to Jaime Lee Moyer‘s debut novel Delia’s Shadow. I enjoyed the first book enough to blurb it. (And that blurb appears on the cover of the second book, which is awesome!) I’m happy to say Barricade was just as enjoyable.

From the publisher:

Delia Martin has been gifted (or some would say cursed) with the ability to peer across to the other side. Since childhood, her constant companions have been ghosts. She used her powers and the help of those ghosts to defeat a twisted serial killer terrorizing her beloved San Francisco. Now it’s 1917—the threshold of a modern age—and Delia lives a peaceful life with Police Captain Gabe Ryan.

That peace shatters when a strange young girl starts haunting their lives and threatens Gabe. Delia tries to discover what this ghost wants as she becomes entangled in the mystery surrounding a charismatic evangelist who preaches pacifism and an end to war.  But as young people begin to disappear, and audiences display a loyalty and fervor not attributable to simple persuasion, that message of peace reveals a hidden dark side.

As Delia discovers the truth, she faces a choice—take a terrible risk to save her city, or chance losing everything?

Like the first book, this one invites us into a believable San Francisco of the early 20th century, with characters who are likable, strong in their own ways, flawed, and at times both larger than life (or death) and all too vulnerable and human. Delia has been learning about her gifts, working with a more experienced and tremendously entertaining medium named Dora. Delia’s more comfortable with what she can do, and one of the payoffs of the book is seeing her partnership with her husband Gabe. They work as equals, and come across as a team, though each has their own partner. Both Delia and Gabe recognize their own limits and trust one another to do what they do best…though they both love and worry about the other.

There are a number of things going on in the book–the scope of the story is bigger, and there are more characters this time around, which makes sense for a second book, but resulted in a few speed bumps and loose ends along the way. But these are minor complaints, some of which I’m hoping will get developed in future books.

Evangelist Effie Fontaine made a good villain, for the most part. Smart, confident, powerful, and nasty. My only complaint was that certain developments near the end of the book felt like they undercut her character. I don’t know how to explain it without spoilers, and it certainly worked as an ending. I just found myself wishing the book had gone in a slightly different direction there.

Overall, these are good books, richly detailed, with enjoyable characters. I raced through them both, and look forward to the next. Recommended.

Above World, by Jenn Reese

I’d been wanting to read Jenn Reese‘s novel Above World [Amazon | B&N | Mysterious Galaxy] for a while now. Having now read and enjoyed it, I’ve come to the inescapable conclusion that this book has the wrong cover art.

It’s not that I think it’s a bad cover. It’s vivid and colorful and clear, and captures the mermaid Kampii nature of the protagonist. The cover also conveys that this is a middle grade novel. So far, so good. But the book is so much more. It’s set in a post-apocalyptic Earth with advanced tech and bioengineering and settlements of humans who have been modified for their environments and robot pets and more. I wish the cover showed more of those elements, because they’re pretty sweet.

Here’s the official summary:

Thirteen-year-old Aluna has lived her entire life under the ocean with the Coral Kampii in the City of Shifting Tides. But after centuries spent hidden from the Above World, her colony’s survival is in doubt. The Kampii’s breathing necklaces are failing, but the elders are unwilling to venture above water to seek answers. Only headstrong Aluna and her friend Hoku are stubborn and bold enough to face the terrors of land to search for way to save their people.

But can Aluna’s warrior spirit and Hoku’s tech-savvy keep them safe? Set in a world where overcrowding has led humans to adapt—growing tails to live under the ocean or wings to live on mountains—here is a ride through a future where greed and cruelty have gone unchecked, but the loyalty of friends remains true.

I liked this book a lot. It’s a fun read, with action and adventure and romance and great characters. I liked the relationship between Aluna and Hoku. I liked the backstory and the worldbuilding, and the larger-than-life villain. There’s just a lot going on in this book that made me say, “Oh, cool!”

There were a few elements that felt a bit too plot-convenient, where our characters encounter just the right character at just the right time. But that’s a minor complaint, and didn’t detract from my enjoyment.

This is the first book of a trilogy, and all three books are available, so you don’t have to wait.

You can read an excerpt of Above World at the Candlewick website.

X-Men: Days of Future Past (Spoilers Ahead)

Even before going out to see X-Men: Days of Future Past, I had seen some rather mixed reviews. Some people called it one of the best superhero movies since Avengers. (And one reviewer described it as better than Avengers.) Others found it sexist, convoluted, and/or disappointing…

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Ancillary Justice, by Ann Leckie

Ann Leckie‘s debut SF novel Ancillary Justice [Amazon | B&N | Mysterious Galaxy] has gotten a lot of buzz since its release. The book won the Clarke Award, the BFSA Award, made the honor list for the Tiptree Award, and is a Hugo Award finalist for Best Novel. I’m pretty sure it was also a Nebula finalist, tied for an Oscar, and won this year’s Super Bowl.

It’s an ambitious book, spanning centuries of future history. The protagonist Breq is all that remains of the Justice of Toren, an artificially intelligent ship with thousands of ancillaries — human bodies all controlled by the ship’s mind. Justice of Toren was essentially a single entity with thousands of bodies, and Breq was one of those ancillaries.

This isn’t a Star Trek-style Borg hive where individual personalities are subsumed into a collective; the host bodies are basically dead, without minds or personalities of their own. They’re “corpse soldiers.” Justice of Toren is one being who gets caught up in political crossfire and finds herself reduced to a fragment of what she was: a lone human body, limited and alone.

The first part of the book alternates between present and past, plunging the reader into the story and slowly providing the background. This is not a book you should try to skim. After I finished reading, I found myself wanting to immediately go back through the opening chapters again and pick up on everything I’d missed the first time.

I love the way Leckie plays with identity. Anaander Mianaai, the long-lived Lord of the Radch, is similar to Breq in that Mianaai has many human bodies, all linked. I won’t spoil things here, but I really liked the revelation of where the ongoing political conflict originated, and Mianaai’s role in it.

A lot of the conversations and reviews I’ve seen focus on Leckie’s treatment of gender in the book, both as a cultural construct — gender is treated differently depending on which culture Breq is immersed in at the time — and as a source of personal confusion. What is gender for a being with hundreds or thousands of different individual bodies? Breq often stumbles over gender identification and pronoun use.

It creates an interesting effect when a character Breq has referred to as “she” is then described as “he” for the next part of the book. I found myself rethinking their interactions, the dynamic between them, and more.

I don’t know that the book does anything truly new or revolutionary with gender, but it certainly does more than most mainstream SF these days, and I appreciate the way Leckie thought about it throughout the story.

Leckie also examines colonization, the destruction and assimilation of cultures, the drive for continued expansion and conquest, and more. It’s powerful and often painful. Aspects of that cold, calculating cruelty are what eventually launch Breq on her quest for vengeance.

I have mixed feelings about Breq’s mission. She’s out to kill as many of Anaander Mianaai as she can, but she also knows she probably won’t be able to take out more than one or two of Mianaai’s bodies before being caught and killed herself. Given that Mianaai has hundreds or thousands of bodies, I kept wondering what’s the point? Given the setup, that’s like avenging yourself on someone by cutting her fingernail.

It may be that Breq was simply lost and knew full well that this was a pointless mission, one that was little more than suicide. But if so, I wish that had been made a little bit more clear. (Or maybe I just missed it.) I do like that the ending went in a different direction, and how that set things up for the next book.

I should also mention the character of Seivarden Vendaai, who ends up accompanying Breq. Vendaai undergoes a powerful transformation as well, being a soldier a thousand years out of her own time. She’s a snob and a drug addict, completely burnt out and bitter. I very much appreciated seeing her growth — and at times, her backsliding — over the course of the story.

All in all, a thoughtful book with strong worldbuilding, and a particularly impressive debut. Ancillary Justice is book one of a trilogy. Book two, Ancillary Sword, comes out in October of this year. You can read an excerpt of the first book here.

I haven’t read all of this year’s Hugo-nominated novels yet, and I wouldn’t presume to pick a winner, but I think Leckie is a strong contender.

Amazing Spider-Man 2 (Spoilers Ahead)

We went out to see Amazing Spider-Man 2 over the weekend. I was nervous going in. Partly because the previews suggested we were getting Electro, Rhino, and Green Goblin. (Because overloading the story with villains has worked so well for other Spider-Man movies.) And the reviews I’ve seen have been iffy, at best.

It wasn’t a perfect film, but I enjoyed it. Andrew Garfield opened the movie with wise-cracking, web-slinging Spider-Man. Watching him take care of low-level bad guys was just fun. I like Garfield’s Spider-Man (anyone else now visualizing a fat orange cat in a spider-suit, going on about Mondays and lasagna?) a lot better than the last incarnation. All in all, I was pleasantly surprised.

And now, on to the spoilers…

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