Jim C. Hines
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December 5, 2014 /

Cool Stuff Friday

It looks like Rise of the Spider Goddess has pretty much earned back its costs in the first 72 hours. Thank you all so much!

And now, on to some fun stuff:

  • 17 Cat Reactions for Every Thanksgiving Situation.
  • Happy Thanksgiving, Charlie Brown! In LEGO! (Yeah, I know I’m a week late.)
  • Cats in Christmas Trees.
  • “All About That Base: No Rebels,” a Star Wars parody by Team Unicorn. (Warning: may cause earworms, as well as pained groaning when you get to the Alderaan line.)
December 2, 2014 /

It’s Spider Goddess Day!

The Prosekiller Chronicles: Rise of the Spider Goddess (An Annotated Novel) is out today in print and electronic format! This is a little different from my other books, but the urge to Kermit-flail and run around telling everyone to BUY MY BOOK while simultaneously clicking to refresh my Amazon ranking every seven seconds is unchanged. I’m starting to think authors should simply be tied up like Odysseus when our books come out…

Rise of the Spider GoddessSummary:

In 2006, DAW Books published Jim C. Hines’ debut novel Goblin Quest. But before Jig the goblin, before fairy tale princesses and magic librarians and spunky fire-spiders, there was Nakor the Purple, an elf who wanted nothing more than to stand around watching lovingly overdescribed sunrises with his pet owl Flame, who might actually be a falcon, depending on which chapter you’re reading.

This is Nakor’s story, written in 1995 and never before shared with the world. (For reasons that will soon be painfully clear.) Together with an angsty vampire, a pair of pixies, and a feisty young thief, Nakor must find a way to stop an Ancient Evil before she destroys the world. (Though, considering the relatively shallow worldbuilding, it’s not like there’s much to destroy…)

With more than 5000 words of bonus annotation and smart-ass commentary, this is a book that proves every author had to start somewhere, and most of the time, that place wasn’t very pretty.

A Few Advance Reviews:

“Every new writer has a Rise of the Spider Goddess inside them. Now it’s been published, there’s no need to write it. Chock-full of essential advice, self-mockery, and compassion for the beginner, it’s a hilarious reminder that we all start somewhere.”

–Sean Williams, author of The Slug in the Sky (age 15) and the #1 NYT Bestselling Star Wars: The Force Unleashed (age 39)

“We can often learn more from the mistakes of others than from their successes. Hines has been kind enough to put his own errors on display as an object lesson for the student writer: everything from cliches of prose to morally dubious characterization, from paper-thin worldbuilding to continuity errors big enough to fly a dragon through. If you want to know what not to do, read this book.”

–Marie Brennan, author of World of the Elementals (age 10) and Voyage of the Basilisk (Tor Books, age 33)

“Jim deserves a Darwin Award for releasing this masterpiece of Words! In! Order! into the wild. I admire him greatly. If the Bulwer-Lytton contest gave prizes for whole books, this one would win by a mile. Eye of Argon look out! The Spider Goddess is about to steal your crown.”

–Diana Pharaoh Francis, author of City of Terrible Night (age 16), and Trace of Magic (age 47)

Guest Posts and Other Links (to be updated throughout the week):

  • The Big Idea (at John Scalzi’s site)
  • How To Turn Your D&D Campaign Into A (Really Bad) Novel (at Chuck Wendig’s site)
  • Rise of the Spider Goddess. What was Jim C. Hines thinking? (at the Little Red Reviewer)
  • The Hardest Part (at Bullspec)

Buy the Book (please):

  • EBOOK: Amazon | B&N | Kobo | Smashwords | Google Play
  • PRINT: Amazon | B&N
December 1, 2014 /

Lessons Learned: Rise of the Spider Goddess

Rise of the Spider Goddess [Amazon | Kobo | Smashwords] goes on sale tomorrow. This is the annotated edition of the very first book I ever wrote, back in 1995. The cover art accurately captures the experience of reading the book. Details are here if you’d like to know more.

Cover2I’ve self-published a handful of books, including several e-chapbooks of short fiction, and Invisible earlier this year. But this is the first time I’ve done a complete novel. This was also only the second time I’ve done a print edition as well as an ebook. So I figured I’d step back and take a look at the process and the things I figured out this time.

1. Print has gotten easier. Please note that I didn’t say “easy.” But when I did the print edition of Goblin Tales through Lulu back in early 2011 … well, let’s just say I came out of that experience determined to just do e-books from then on, both to avoid the hassle of print, and because the self-pubbed print edition simply didn’t sell.

This time around, I went through CreateSpace at Amazon, and the process was significantly more straightforward. I was able to download a template for both the interior and for the cover. I still spent a lot of time on the files, but that was because I wanted to customize the interior, add some additional sections that weren’t in the template, change the header and page number layout, add drop caps, insert a graphic at the start of each chapter, and so on.

It’s not perfect, and I’m once again left with a lot of respect for the people who do layout for a living, but I’m pleased with the end results. The pricing also seems to have gotten better since 2011. I’m able to sell a 200+ page trade paperback for $10.99, which Amazon has discounted to less than $10.

2. Cover art costs. I tend to be a bit conservative with my personal finances. (My daughter would have another word for it.) When I started searching for cover artists and emailing for quotes, I was hoping to keep costs low. $200 would have been nice. $500 was my upper limit.

Yeah, that didn’t last. I got quotes that ranged from $200 to $2500. I looked around a bit to see if there was any preexisting art I could license, but the book is quirky enough that nothing really fit. And after chatting with people online, I decided to try to do something in the old Dungeons & Dragons style. So I looked for artists who had done D&D illustration work in the past, and eventually went with Patrick McEvoy. Patrick seemed to get what I was looking for, and was friendly and easy to work with.

Was it worth what I ended up paying? Ask me in six months when I know how many books have sold, but I’m happy with the cover, and the feedback has been very positive so far.

3. Preorder headaches. Did you know that Barnes & Noble still doesn’t seem to have a way for authors to put their self-published title up for pre-order? There will be a Nook edition of Spider Goddess, but it won’t show up until tomorrow. They seem to be the lone hold-out. I was able to post the book at Amazon, Kobo, Smashwords, and Google Play without any trouble, though Amazon has a cutoff date for uploading the final files, and says if you don’t do so by that date, they won’t let you post things for pre-order in the future.

And while Amazon will let you put up your e-book for pre-order, they won’t do the same for the print. As I understand it, there is a rather convoluted way of getting a self-published print title up for pre-order by sighing up for a separate Amazon program. But in my case, I ended up accidentally putting the print edition on sale a few weeks early. Ah well. It gave me time to get the Kindle and print edition linked on Amazon before the official release, and most of my print books start showing up on bookstore shelves early anyway.

4. Publicity. One of the many reasons I love DAW is that they do a lot of the behind-the-scenes work for me. They send out review copies, get the book listed online and in their catalogs, put out some advertisements, and so on. With Spider Goddess, it was all on me. I created print and electronic ARCs and sent those out. (I got some fun advance blurbs, too!) I’ve set up some guest blog posts on various sites. But I definitely didn’t accomplish as much as I had hoped. There was simply too much to do, and not enough time to do everything.

Trying to figure out effective book publicity is like wrestling a greased watermelon golem. But I’m hoping that I’ve done enough to generate a little interest and curiosity, and that the book itself will build on that to generate some word of mouth. We’ll see what happens.

5. A book day is a book day. I always get anxious when a new book ventures forth into the world. As I sit here counting down to December 2, peeking around to see if any more reviews have cropped up or if anyone’s talking about the book, and worrying about whether or not folks will like it, I think it’s safe to say that self-published or commercially-published makes no difference. Book day is book day, and I’ll be obsessing over this one all week.

#

I’m happy to chat about the process, if anyone has questions. Thanks for bearing with me, and I hope you like the book!

November 29, 2014 /

Harassment at Context

Several people have emailed me about reports of harassment at Context this year, which resulted in an individual being banned from the convention for five years. Here’s my roundup of links about what happened. (Please let me know if I’ve missed anything.)

  • March 30, 2015: Passing along the following announcement.

    • The Fanaco Board regrets to announce that Context 28 has been canceled.  Refund checks to anyone who preregistered were mailed on March 29.  Thank you for your support.

      If you have any questions, please contact:
      Context
      PO Box 163391
      Columbus OH 43216

  • September 30, 2014: Jonathan Maberry is one hoopy frood. Context is pretty cool too. Andi Brunett-Libecap describes her encounter with a consuite voluneer as part of her (overall very positive) roundup of the convention. In a follow-up post, she talks about feeling conflicted, noting, “He didn’t seem BAD so much as STUPID. There’s a difference, and the difference is important to me.”
    • In the comments to Brunett-Libecap’s second post, Context’s workshop director Lucy Snyder clarifies that, “Yours wasn’t the only complaint about his behavior that was received by the convention … The other piece of this, which maybe isn’t clear: [he] was a convention staff member working in the con suite and not just a regular attendee. Context holds convention staff to a higher standard of behavior … But even if he hadn’t been staff, his behavior was unacceptable.”
  • October 28: Two More Con Code of Conduct Complaints Go Public. File 770 reports that a consuite volunteer named Jeffrey Tolliver was banned from Context following multiple complaints about this individual’s conduct. Includes a quote from Tolliver, saying, “I owe deep apologies to you, your friend and all the attendees of Context 27. If stupidity was contagious I would have infected more people that the Plague.”
  • November 16: Statement Regarding Complaints Of Harassment At Context 27. Context posts an official statement on their Tumblr page.
    • “[T]here have been complaints regarding multiple incidents involving a ConCom member/volunteer. These incidents have been reported both in the current year and incidents have come to light regarding past years … We had corroborating reports of the incident(s) in question, and have received information that the person in question did not dispute the incident.”
  • November 28: Why I Am Resigning As Programming Director For Context. Steven Saus resigns, saying, “Without myself and a very few others, I do not believe there would have been any public response to the reports of harassment at Context 27.  I do not have faith that the harassment policy will be enforced or that reports of harassment would be treated seriously at Context in the future. I do not realistically have the ability to make that change before Context 28.”
    • Sharon Palmer, who oversaw the Context Consuite, says in the comments, “I am a member of the committee am saying this as my own opinion, and NOT that of the committee, that Steve has misrepresented the issue. Since he has chosen to make this so public, I want to say that he is wrong.  Context has had an antiharassment policy for several years, and has never tolerated harassment and never would, especially not by a staff member.  Please give us time to work through the ramifications of this. We want Context to be an awesome and SAFE convention.”
  • November 28: Lucy A. Snyder resigns as workshop director of Context. “Steven M Saus announced earlier today that he is resigning as programming director for Context Convention; I am also resigning as writing workshops director, for many of the same reasons.”
  • November 29: A few notes replying to some replies about my leaving Context. A follow-up post from Steven Saus.
    • Sharon Palmer comments that, “Steve made many missteps handling it, and acted as if any disagreement to the way STEVE DID THINGS, was support for the harasser. In Steve’s own words to me ‘My response was not based off what you wrote, but what I thought I heard.'”
    • Palmer also states, “A staff person in the Con Suite talked to people who didn’t want to be talked to. He made bad jokes and showed people the chainmail he was working on. Which happened to be a chainmail bikini. He made people uncomfortable. He was guilty of being OLD. His wife was also in the Con Suite through most of the weekend. I was head of the Con Suite. No one said anything during the con. I wish they had, so I could have stopped it. We banned the guy for FIVE YEARS for an unacceptable level of social cluelessness. I really don’t see how this is a betrayal of our gender. Steve and Lucy said ‘handle it our way or we quit’. And we did. They quit anyway in a way that seems designed to destroy the convention.”
  • November 29: Jason Sanford, a frequent author guest at Context, posts about the situation on Facebook and his blog.
    • Jerry Robinette, of the convention’s publicity division, comments, “has anybody mentioned that the only ‘investigation’ was done by [Snyder] and Saus: that the ConComm and board never had an opportunity to hear from the ops person who had a run-in with the blogger that started all of this? And that you (Snyder) and Saus are now attempting to bully your way into complete control of a convention which has been a valuable revenue stream for you and your husband?”
  • November 29: Why I won’t be returning to the Context SF convention, by Context volunteer Sarah Hans.
    • “[Steve] received several reports of harassment committed by the same individual. At least one report claimed the harassment spanned years. At least one woman was uncomfortable going into the consuite at Context 27 because that was the harasser’s hangout; at least one other said she would not be returning because the harassment was so troubling to her.”
    • “I was singled out with Lucy and Steve for a bullying email from a member of concomm who disagreed with us on one occasion; on another, I was singled out alone by one of the convention chairs for verbal abuse when I admitted that I no longer felt safe attending Context if the harassment policy was not going to be enforced … I was told that my opinion didn’t matter because I didn’t do enough work for Context 27. The words ‘how dare you’ were actually used.”
  • November 29: Resignations From Context Committee Over Harassment Policy Enforcement, from File 770.
  • November 29: Michelle Dupler, Context volunteer, steps down.
    • “As someone watching this more or less from the outside, and with no emotional investment in the issue, I do not believe that Steve has misrepresented the discussion, or at least the portions that I personally witnessed on the concom email list. His account, and Lucy’s, have mirrored my own perception.”
  • November 30: Steven Saus Comments on Resignation, also at File 770.
    • “Convention goers need to know that if they report harassment that it will be taken seriously. They should not have to guess which members of the convention staff will ensure their report is taken seriously… or which members of convention staff will dismiss their concerns. Convention goers need to be able to trust ALL of the convention staff to do the right thing, regardless of personal feelings.”
  • December 1: A Short (but significant) Update About Context, from Steven Saus.
    • “I learned late last night that the board met and dissolved itself.  The convention is starting over, with last year’s Con Chairs (who were not part of the resistance I experienced) starting over … This change resolves the concerns that led to my resignation.“
  • December 1: Sharon Palmer Posts an Apology on the Context Facebook Group page.
    • “I want to apologize for my part in this. I do not want to be part of a convention where harassment is accepted. It is traumatic and emotional when the harasser is a friend and colleague. I want to apologize to the people who were hurt by Jeff’s behavior. It never should have happened. When it happened, it should have been stopped.”
  • December 6: Official Statement Regarding the Dissolution of Fanaco’s Board of Directors.
    • “This new Board will be immediately tasked with creating new by-laws and other policies, including an anti-harassment policy that is clear and enforceable.”
  • December 27: Mark Freeman’s Statement on Context, as posted on Steven Saus’ blog.
    • “…on the day of the scheduled meeting, [Jan] had a lawyer send a rather over-the-top email to me saying that she would not sign the form and threatening me with police action if I went to her house, among other things. The new Board is, of course, now walking away.”
  • December 27: CONTEXT is Dead, from Steven Saus.
    • “When the president of the new Board, Mark Freeman, arranged to meet with Jan Province to get her to sign the paperwork to change the agent of record … he recieved a threatening e-mail from a lawyer claiming that contacting her in any way would be considered “harassment” and that there would be no new board. At which point, all the new people who wanted to be part of the new board, who wanted to see Context survive and thrive, realized that they couldn’t fight a (frivolous) lawsuit and simultaneously prepare a convention.”

Context’s current harassment policy is here.

It sounds like the Fanaco Board, which oversees Context, is still meeting and discussing everything that’s happened.

I don’t know the details. I became aware of this through email and the public posts and statements I’ve linked here. From that public information, it seems clear that:

      1. There were multiple complaints of harassment against a Context volunteer.
      2. This volunteer has not disputed the complaints, and has apologized.
      3. After contentious discussion, it was decided to ban this individual from Context for a minimum of five years.
      4. Multiple individuals who were directly involved feel that others on the concomm and/or board didn’t take the complaints seriously enough.
      5. Nobody can agree on how to spell concom/concomm.

I don’t know enough to second-guess the convention’s decision. I’m troubled by suggestions that banning this individual for five years was punishment for “being old” or “social cluelessness.” (And I said as much to Palmer.) These are excuses that have been used far too often as a way to minimize or excuse harassment. A single incident might be attributed to social clumsiness, but intentions don’t necessarily change the outcome, and it’s clear that there were multiple complaints here.

The convention investigated, met, and announced their decision about a month and a half after the convention. I know how hard it is to schedule meetings, get everyone caught up, and come to any sort of consensus or agreement. Considering that some of this information didn’t come to light until after the con, that actually seems reasonably quick and efficient for an organization.

Making the behind-the-scenes struggles and frustration public is going to hurt the convention. I highly doubt it’s a step that was taken lightly. I don’t know if it was the right step in this case. I do know that there has been pressure in the past, and in the present, to keep things like harassment quiet to protect reputations. And I know that silencing has allowed abuse and harassment to continue.

Palmer asked for time to work through this, and said they want to make Context an awesome and safe convention. I very much hope that this is what ends up happening. Public scrutiny will likely make that job more difficult; it will also increase the pressure to follow through and live up to the standards in the convention’s harassment policy.

Finally, the idea that Lucy Snyder is trying to get control of a “valuable revenue stream” gets a huge side-eye from me. As an author, I know how much I tend to sell at a convention, and even my best cons have been anything but lucrative. I don’t know that I’ve ever met an author who saw conventions as a significant money-maker. I certainly don’t see how volunteering hundreds of hours to help put a convention together leads to Massive Author Profits. (If anyone knows that secret, please fill me in!)

One last request. Please don’t use this as an excuse to click through and attack/criticize/harass others on their respective sites. I was torn about linking and naming names, but decided to do so for completeness and accuracy. But one thing I do know is that this has been difficult and stressful for all involved.

I’ll be updating this post with additional links and info as they come in.

November 26, 2014 /

Two Thoughts on Ferguson

I’ve been doing a fair amount of reading, and mostly trying to just listen. But there were two points I wanted to put out there in response to people complaining that all of the anger in Ferguson and throughout the country is somehow misplaced.Comparison of People Killed by Law Enforcement

PercentByRace

Statistics on “justifiable police homicides” in the U.S. (chart 1) are far from perfect. But when police are three times more likely to kill a black person than a white person, then we have a serious, widespread, and ongoing problem.

Of course, if you grew up black in this country, you probably knew that already…

—

Graph 1 Data:

Reported Number of Civilians Shot and Killed in 2011
# Killed Total Pop. Percentage
USA 404 311,582,564 0.00013%
Australia 6 22,340,000 0.00003%
Germany 6 81,797,673 0.00001%
England & Wales 2 56,600,000 0.00000%
http://www.businessinsider.com/why-do-us-police-kill-so-many-people-2014-8
http://data.worldbank.org/indicator/SP.POP.TOTL
http://www.ons.gov.uk/ons/rel/pop-estimate/population-estimates-for-uk–england-and-wales–scotland-and-northern-ireland/mid-2011-and-mid-2012/stb—mid-2011—mid-2012-uk-population-estimates.html

 

Graph 2 Data:

People Shot and Killed by Police in the US, from 1999-2011, by Race
# Killed Total #s from 2010 Census Percentage
White 2,151 223,553,265 0.00096%
Black 1,130 38,929,319 0.00290%
http://www.politifact.com/punditfact/statements/2014/aug/21/michael-medved/talk-show-host-police-kill-more-whites-blacks/
http://en.wikipedia.org/wiki/Demographics_of_the_United_States#Race_and_ethnicity
November 24, 2014 /

Candygate, in a Nutshell

So this happened…

(Also, this is my first time at trying to embed Tweets in a blog post, so I apologize in advance if it breaks something.)
More

November 24, 2014 /

Juggling

For the past month or two, I’ve felt like I’m struggling more than usual to keep up with everything. I’ve felt more stressed and frazzled, and I’m having a harder time making sure nothing slips through the cracks.

Then this weekend I stepped back and realized I’m currently juggling four different books in different stages of production. Rise of the Spider Goddess comes out in eight days, with Unbound being released a month later. I’m trying to finish up the first draft of Revisionary, and there’s more revision work I need to do on Secret Unnamed Project of DOOM.

Oh. Well, that would explain it, I suppose. It doesn’t make things any less of a struggle, but it’s helpful to realize there’s a legit reason for feeling frazzled, and it’s not all just in my head.

I’m thinking for 2015, I may need to step back and take a good look at my priorities and time management and such, because what’s worked in the past doesn’t seem to be working quite as well these days. I have some thoughts on that front, though I’m not ready to get into details publicly just yet. (I will note that million-dollar movie or book deals are always welcome, and would simplify certain things immensely. I’m sure they’d add complications of their own, but that’s a risk I’m willing to take.)

On the bright side, we did make time yesterday to get out and see Big Hero Six, which was a lot of fun. A few plot questions, but still fun.

Anyway, things should calm down a little bit over the next month or so. And in the meantime, I hope you’ll bear with me if I’m taking a bit more time than usual to respond to things.

November 21, 2014 /

Cool Stuff Friday

Friday challenges you to a dance-off!

  • Dorkly shares 50 behind-the-scenes photos from Star Wars IV – VI. (Includes 12-year-old Warwick Davis!)
  • Working LEGO particle accelerator. (Okay, so it actually accelerates a LEGO soccer ball, but still!)
  • Pugs!!!
  • Food-tasting cats.
November 19, 2014 /

School Visit

I don’t do as many school visits as children’s authors and YA/MG authors do, but I occasionally get to stop by and chat with a class or a school. Today I got to go back to my old elementary school — the same school I attended in the late seventies and early eighties — and talk to two of the 4th grade classes.

We talked about the process of writing and revising and getting feedback and submitting your work. We talked about practice, and how nothing is ever perfect, and none of us are born knowing how to write. We made up stories about mummies that came out of the TV and a memory-sucking vampire that had lived in the ceiling of the school for the past thirty years. (In both stories, tragically, the teacher was the first to fall victim to these threats 🙂 )

It was a great deal of fun. I love talking writing with kids. There’s so much energy and enthusiasm and excitement. And sure, classrooms now have these weird Smart Boards that I never quite figured out how to use, but that’s okay.

Both classes had kids who were talking about wanting to write more of the stories we talked about, either rewriting them with their own ideas, or doing follow-up stories. And if a bunch of kids came out of those sessions feeling excited about writing and storytelling and creativity, I’m counting that as a win.

The box of chocolates they gave me as a thank you is a nice bonus 😉

Thank you to Mrs. Huss’ and Mrs. Fulk’s classes for letting me spend some of the afternoon with you!

November 17, 2014 /

Windycon Pics

I had a great time hanging out and catching up with people at Windycon this weekend!

I’ve posted 40some pics on Facebook and Flickr. I was trying to push myself beyond using the automated settings. Most of these were taking with me manually playing with the shutter speed. Lessons learned…

  • White balance is my nemesis. I tried to adjust it, but only made things worse, so most of these were on the auto white balance setting, with color correction in Photoshop.
  • What looked about right on the LCD on the camera ended up being a wee bit overexposed when I pulled the pics up on the computer.
  • Almost all of these were taken with the flash off. Partly because the flash can be annoying, and partly because those pics tend to look washed out, and lose a lot of shadows.
  • Stage lighting is my other nemesis.

To those of you at Windycon, I hope I wasn’t making a pest of myself. I’m having a lot of fun hauling the camera around, and I’m trying to be considerate and polite with folks, but if I ever get annoying or obnoxious about it, I hope you’ll let me know.

And now, a few of my favorite pics from the weekend…

My son battles author Scott Lynch.
Steven and Elaine Silver. They just look so cute and happy together!
Author GoH Lou Anders posing with his audience after a reading.
Attila the Bun! (With hat.)

 

 

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Coming Oct. 21

Slayers of Old
Amazon | B&N | Bookshop | Audible

Blog Archives

Free Fiction

  • Stranger vs. the Malevolent Malignancy, at Podcastle
  • The Creature in Your Neighborhood at Apex Magazine
  • How Isaac Met Smudge at Literary Escapism
  • Gift of the Kites at Clarkesworld
  • Original Gangster at Fantasy Magazine
  • Goblin Lullaby (audio) at PodCastle
  • Spell of the Sparrow (audio) at PodCastle

Banner artwork by Katy Shuttleworth.



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Jim C. Hines