Jim C. Hines
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January 26, 2011 /

Writing: A Reality Check

THE DREAM:


THE REALITY:

January 25, 2011 /

Readership Breakdown

This is something I was mentally sketching at various points over the weekend.  (Yes, I draw graphs in my head for fun.  Is anyone surprised by this?)

It’s a representation of things I keep reminding myself: for one thing, that the Internet is not as big as we think it is.  For example, the Elizabeth Moon/Wiscon debate from last year was a huge deal in my online circles … but when it came up during the Political Correctness panel at ConFusion, we had to stop to explain what we were talking about.

Likewise, the idea that online arguments in general are going to destroy an author’s career … let’s just say I’m doubtful that the average Internet authorfail does any appreciable damage to said author’s sales.

The circles might need to be shifted a bit — there’s probably more overlap between Fandom and the Internet, now that I think about it.  And every author’s graph will be a little different.  From what I’ve seen, I’ve got some moderate name recognition online and in fandom circles, so I nudged that overlap up a bit.  Independent stores and convention sales make up a nice chunk of my overall sales, and I get a decent number of hits online.  But it’s still only a fraction of my overall readership.

It’s something I try to keep in mind when it comes to publicity/promotion.  There are a lot of readers who don’t go to cons and probably wouldn’t identify as “fandom.”  Likewise, a lot of readers aren’t hardcore Facebook/Twitter/LiveJournal users, or whatever.  I could come up with the most brilliant online promotion ever, and it would only reach a fraction of my potential audience.

I’ll continue to do conventions and hang out online, both because I really enjoy it, and because it’s still an effective way to connect with some of my readers.  But I also try to keep in mind that I’m only reaching a fraction of those readers.

What do you think?

January 24, 2011 /

ConFusion Highlights

-Being invited to be Toastmaster for ConFusion 2012.  (And quizzing a few friends to find out what the heck the Toastmaster actually does.)  Among other things, I get to introduce author GoH Pat Rothfuss and Fan GoH Tom Smith at opening ceremonies.  I’ve been going to ConFusion for years, so the invitation … well, it means a lot, and I was both honored and delighted to accept.

-Having my brains eaten by balloon Cthulhu, courtesy of Elder Signs Press.

-Winning $1 from SFWA president John Scalzi by triumphing in the medium-range pen-tossing duel during the mass autograph session.

-I did a lot of panels this weekend, and had a blast.  I enjoyed my power trip as moderator, but the most entertaining panel by far was the political correctness panel on Saturday night.  Not what I would have predicted, but I laughed more in that hour than I did in any other panel, and I think we had a pretty damn good discussion, too.

-Reading the first chapter of Snow Queen.  To everyone who attended the reading … I’m sorry.  I had honestly forgotten how rude a cliffhanger that chapter ends on.  I hope you enjoyed it, though!

-The people were awesome, as always.  Got to spend time with old friends, get to know other people better, and meet some new folks.  This is the very definition of conventionwin.

-Coming home to find the on-signing advance for Libriomancer and Enforcer waiting in my mailbox, along with German copies of Mermaid’s Madness.  A nice way to wrap up the weekend!

January 21, 2011 /

First Book Friday: Erik Scott de Bie

Welcome to First Book Friday, with today’s special guest star, Erik Scott de Bie.

Normally I write the introductions here, but I loved what Erik had on his site, so I’m stealing it!  (Either that or I’m too busy prepping for Confusion to come up with something.  You be the judge…)

“In his free time, Erik stalks the streets of London clad in black, storms the ancient castles of Scotland, and faces French fire-dancers on warm midnights along the Seine.  He has stared Death in her pretty face, vanquished his greatest nemesis in the name of true love, and earned some rather spectacular saber scars.  (You should’ve seen the other guy.)”

Also, he writes books.

#

My first novel, Ghostwalker [Amazon | B&N | Mysterious Galaxy], is a product of several fortunate coincidences and a lot of hard work, but it stands on a foundation of one simple character flaw: I am a geek.

I got into D&D around age 10, and I almost immediately started writing all sorts of adventures, character backgrounds, and even stories. My first long fiction — the background of my character Whisper, an elf rogue in the Forgotten Realms setting (coincidentally) — I wrote at 13. It was supposed to be 10 pages and ended up being 45. I knew at that point that writing was what I wanted to do.[1. Jim’s note: My first few stories came about in a very similar way, actually.]

This led into my favorite pastime, which was writing. When lots of kids my age were trying anything to avoid writing, I was shut up in my room typing away on my computer. I took inspiration from all sorts of novels, TV, and films — I would always ask myself how I would have done that ending differently. My work was awful, of course (my wife managed to get a hold of a disk of some of it, which she keeps as blackmail), but I kept at it, building and practicing and honing. I wrote about one novel a year between the time I was 14 and, well, now.

I never even thought about submitting any of it for publication, though–for me, this was just a fun pastime, which I would occasionally share with my friends and family. Then in college, I went through a serious health crisis, and it gave me the little kick-in-the-butt of urgency I needed to give it a shot. I sent a 10-page sample to Wizards of the Coast, and got a very nice rejection letter from Phil Athans and Peter Archer (with handwritten notes), who encouraged me to submit more in the future. This was big for me.

Less than a year later came the Maiden of Pain open-call, for a novel in a Forgotten Realms series about priests of various deities. My submission was not really a “priestly” novel, but more of a “fighter-y” tale. They didn’t buy that one, but they kept me in mind for another limited call that they were going to do later, for one novel in the Fighters series, and one in the Wizards series. I remember they mailed it to my parents, rather than to me (as I was in college, I listed my permanent address as theirs), and my dad immediately called me to read me the entirety of the letter: I could submit for one book or the other, and it would be a story based on either a Fighters prestige class or a Wizards signature spell. I listened to the story options, and I couldn’t get past the third entry on the Fighters list: Ghostwalker. Everything clicked for me, and I knew that was the one I had to do.

I think writers don’t write for the money, or the fame, or the glory, or anything like that. I think when it comes down to it, writers write because they need to write. There’s something in them that begs, wheedles, and demands to get out, and woe to the writer who doesn’t listen.

I had the entire story formed in the next two days, the proposal sent off within the week or so, and I just started writing the novel. In a sense, I knew that I would get the contract, but to an extent, I didn’t care if I didn’t. Which is not to say it wouldn’t have sucked if I didn’t get it (because it would have), but it was just the story I needed to tell, and so I did.  Writing that novel took into account so many things that I’d gone through in my life and was going through at the time: movies, books, philosophy, music, my health, romance, and just . . . life. How could I not write it?

I was overjoyed to get the contract officially signed (and I was very angsty about getting it signed and executed and all the paperwork taken care of), which I expressed for all of an hour, before I got back to writing chapter nine.

I’m very happy with how the novel turned out, and I stand by it today as one of the best things I’ve written. There are some things I could do better, of course, and my style has evolved a great deal over the many books (some of them published!) that I’ve written since then, but I think it stands as a great introduction to my style. If you like this one, there’s a good chance you’ll like what I’ve come out with since.

P.S. For Ghostwalker’s five-year anniversary of being in print (which is pretty cool!), I actually did a retrospective on the novel over at my website. Readers can get in touch with me there, at my blog, find me on Facebook or Twitter, or drop me an email at erikscottdebie AT yahoo DOT com.

—-

January 20, 2011 /

Thursday Miscellany

This has been a pretty intense week for my little corner of the blogosphere.  I was tempted to find another argument to stir up today, but I think I’ve had about all I can process right now.  People have given me a lot to think about, thank you.  I’ll be doing a follow-up on the whole piracy thing, in part to address aspects of the problem which I hadn’t really considered until they were pointed out to me.

For the moment though, have some random and light tidbits.

1. I’ll be at ConFusion this weekend, and I’ve got a pretty busy schedule.  The program book is here.  I’ll be reading from The Snow Queen’s Shadow [Amazon | B&N | Mysterious Galaxy] on Saturday at 4:00 p.m. in the Board Room, for anyone who’s interested.

2. Speaking of Snow Queen, I’ve been playing around and made a few LJ icons.  Please help yourself, if you’re interested.  (Credit mentioning me or the book is always appreciated.)  Snow and Talia both get quotes from the books, but I think the “Mother issues” one is my favorite.

3. I haven’t posted anything LEGO in a while.  Time to remedy that.  A long time ago, in a galaxy far, far away, an evil empire wanted ice cream.  The All-Terrain Ice Cream Transport was created by Louis K, and it makes me happy.  Click the pic for more, including a close-up of Vader with an ice cream cone.

All that’s left is for a John Williams score to start playing in that ring-a-ding ice cream truck style…

January 19, 2011 /

Violence and Motivation

As I was prepping blog posts on Saturday, I joked that this was going to be the week Jim argues with everybody.  It’s made for some interesting conversations so far.  (And very thought-provoking in some cases.)

I think my favorite snippy response is the author who answered my fact-checking of the e-publishing cheerleaders by blogging, “Jim C. Hines, however, is picking nits off the dead monkey, apparently feasting.”

Anyway, on with today’s post, in which I move away from publishing…

#

I’ve come across two stories I wanted to share regarding the Tuscon shooting and the debate that followed.

The first is from NPR, about a Secret Service study of 83 attempted and completed assassination attempts against various public figures.  (Full study here.)  “Perhaps the most interesting finding is that according to Fein and Vossekuil, assassinations of political figures were almost never for political reasons.”  (Emphasis added.)

Instead, the primary motivation was simply … to be noticed.  To get attention and see your name plastered all over the front page.  Who to kill is almost an afterthought to the decision to commit murder.  The target is whoever will generate the most attention.

We don’t know why Loughner chose to kill those people and tried to murder Congresswoman Giffords.  But this study seems to undercut the automatic assumption that he acted for or was influenced primarily by political reasons.

The study also examines the widespread belief that such murderers are mentally ill.  While Loughner may indeed be mentally ill, a fair number of the initial responses I read were almost tautological: “Only a crazy person would do this, so he must be crazy!” which struck me as problematic for a number of reasons.

The study found that fewer than half of the subjects were delusional at the time of the attack.  “Almost all had psychological problems.  But relatively few suffered from serious mental illness that directly affected their assassination behaviors.”

#

Boing Boing linked to a 2010 study of violent political rhetoric, and the effects it can have.

“Although the net effect of violent political rhetoric is nil, citizens with the greatest propensity to commit and encourage acts of aggression could well be pushed past a tipping point by violent political rhetoric. This point is emphasized further by the significantly-greater responsiveness of young adults – the population most likely to engage in all forms of aggression.”

In other words, the relatively mild violent metaphors and rhetoric used in the study had no significant effect on most subjects.  But a small minority of people (described as “trait-aggressive”) do respond to such rhetoric, and are more likely to support political violence.

Does this contradict the first study?  Could a trait-aggressive person, in theory, be moved by violent rhetoric to commit political violence, even assassination?  The author suggests this as a possibility, but the research showed only changes in approval of political violence — changes which were significant only for a small minority.  It does not show whether people are more likely to commit such violence.

This study got me thinking about the incident where Rand Paul supporters threw a protester to the ground and stomped on her head: not an assassination attempt, but violence in the heat of the moment.  I’d love to know whether those people assaulting the protester were in that trait-aggressive group.

#

I don’t know what caused Jared Loughner to murder those people on Saturday.  Two studies aren’t enough to draw any sweeping conclusions, and they don’t necessarily tell us anything about a specific individual.

Toxic and flat-out nasty political bickering can be damaging, as suggested in the second study.  And I stand by my disgust at those who would use such tragedy as a rallying cry or a metaphor to rile supporters and win elections.  But I find both studies informative in the face of the wave of accusations that followed last Saturday’s tragedy.

What do you think?

January 18, 2011 /

Arguing Book Piracy

Last week, I saw a lot of authors linking to “Free” Books Aren’t Free, a blog post by author Saundra Mitchell talking about the costs of book piracy.

Let me state up front that illegally downloading books is stealing.  If you’re doing it, at least have the guts to admit you’re committing theft instead of spouting off excuses.

With that said, I disagree with some of Mitchell’s reasoning.  She argues:

If even HALF of those people who downloaded my book that week had bought it, I would have hit the New York Times Bestseller list. If the 800+ downloads a week of my book were only HALF converted into sales, I would earn out in one more month.

Yes, and if my dogs pooped gold, I could quit my day job.  But it ain’t going to happen.  Author Scott Nicholson guesses that 10,000 illegal downloads equates to maybe 5 lost sales.  I suspect he’s underestimating, and the true numbers are somewhere between his and Mitchell’s, but I don’t think there’s any way to say for certain.  I’m just not buying the argument that half of those downloaders would have actually bought Mitchell’s book (particularly since we’re talking about a hardcover.)

She goes on to say:

[M]y book is never going to be available in your $region, not for lack of trying. My foreign rights agent is a genius at what she does, and has actively tried to sell it everywhere- UK, AU, China, France, you name it, she tried to sell it there.  SHADOWED SUMMER will only be coming out in Italy, because that’s the only place there’s a market for it.

The implication being that piracy killed her chances at foreign sales?  I’m confused on this one.  Does the availability of a pirated English book really reduce demand for a Chinese edition of said book?  I suppose it’s possible … most countries are more multilingual than the U.S.  But it’s a stretch, and I’m not convinced.

[T]he sales figures on SHADOWED SUMMER had a seriously detrimental effect on my career. It took me almost two years to sell another book. I very nearly had to change my name and start over. And my second advance? Was exactly the same as the first because sales figures didn’t justify anything more.

The thing that makes me hesitate here is that piracy is an across-the-board problem.  Every commercially published author’s books end up on torrent sites.  Some authors are still doing quite well.  Others, not so much.  So does it make sense for struggling authors to blame book pirates for low sales when other authors are selling well despite said pirates?

Mitchell says a lot I agree with, too.  If you can’t afford books, go to the library.  Try to get review copies.  Or maybe if you can’t afford the books, you just don’t get them.  Wanting a book doesn’t give you the right to steal it.

I agree with her that, “People who illegally download books are more interested in their convenience than in supporting the authors they want to read.”

I’m NOT saying book piracy is harmless.  (To authors or to readers either, for that matter.  Laura Anne Gilman recently pointed another example of a torrent site which was installing malware with downloads.)  Bottom line, it’s a dickish thing to do.

And it does hurt authors.  How much, I don’t know.  I suspect it will hurt us more in coming years, as electronic reading becomes more widespread and book scanning technology improves.  Lost productivity alone is a serious cost for authors who try to keep up with DMCA notifications to various sites.

It pisses me off when I find people illegally sharing my books online.  And I think it’s important to educate readers.  But I don’t think it helps our cause to distort or exaggerate the problem.

Discussion welcome and appreciated.  I expect some disagreement on this one, and as always, I reserve the right to change my mind.

January 17, 2011 /

Fact-checking the E-Revolution

Update: Sullivan recently responded that the errors were part of Konrath’s introduction, and were his mistakes, not hers. Konrath’s post was edited within 24 hours of my post, but looking at it now, it does appear that the mistakes I pointed out are Konrath’s, not Sullivan’s. My apologies to Sullivan for that.

Robin Sullivan had a guest post at J. A. Konrath’s blog recently, wherein she presented a list of successful self-published authors, asking, “Are you ready to be blown away?”  She listed a number of authors who sold anywhere from 2500 to 100,000 books in December, 2010, and adds, “MORE WRITERS THAN J.A. KONRATH ARE DOING WELL SELF-PUBLISHING, AND THEY DON’T HAVE PUBLISHING BACKGROUNDS … On this list, only five people had previous print novels. The rest did not.”

If you’re curious, those five people are:

Scott Nicholson, J. A. Konrath, Lee Goldberg, Stephen Leather, Aaron Patterson, Beth Orsoff, Blake Crouch—

Okay, admittedly, I was an English major, but that seems like more than five to me.  You could argue for the addition of folks like  Selena Kitt, whose first book was published by StarDust Press.  That’s an e-publisher, which to me counts as publishing background, even if she didn’t have a print novel.

It’s frustrating.  Knowing Sullivan got that part wrong makes it difficult to trust that the rest is accurate.  The sales numbers quoted are self-reported by the authors in the Kindleboards, collected by Sullivan and another blogger.  One problem — and this isn’t Sullivan’s fault — is that there’s no outside source.  There is no Bookscan for e-book sales, so we just have to trust them.  And I do trust that some of these numbers are correct, but overall?  I’m … skeptical.

Konrath himself presents another list of authors selling more than 1000 e-books a month, “none of who had any traditional publishing background (no deals, no agents).”  Authors like Aaron Patterson—  Wait, didn’t we hear that name before?  He also lists William Meikle, who published with KHB Books. I can’t say for certain, but KHB looks like small press–are we counting that as publishing background?  Then there’s Bella Andre.  You can check out one of her early books from Simon and Schuster.

This post took about an hour to put together, and I didn’t check every single author on the list.  I’m not writing this post to bash e-publishing.  I want to learn more about how e-publishing is evolving, and how I might be able to take advantage of it as an author.  But I want facts, not cheerleading.  Reliable data, not hearsay cribbed from other blogs.  How am I supposed to trust these wonderful numbers if the people putting them forth aren’t fact-checking their own claims?

I’m not going to warn people away from e-publishing.  It’s growing, and while I’m personally happy with DAW, I do believe electronic self-publishing is becoming more of a viable option for some writers.  Neither of the lists above were entirely accurate, but they do include successful e-publishing authors.

Just be careful.  And don’t believe everything you read on the internet.

#

Two random notes from perusing the lists:

1. Many of the authors mentioned as selling all of those books in December had released one or more new titles in December.  I.e., in some cases this may reflect an initial sales spike, as opposed to long-term sales.  (For comparison, I sold well over 1000 copies of Red Hood’s Revenge in the first week it was out.)

2. A number of these authors were selling e-published books about how to succeed with e-publishing.  I’m not drawing any conclusions from this, but it was an interesting pattern.

January 14, 2011 /

First Book Friday: Pamela Dean

Welcome to First Book Friday.

Pamela Dean (LJ, Facebook) has no idea what I’m going to write here.  I could talk about how she and I followed some of the same advice about having to write short fiction before you can do novels — advice that isn’t actually true, as it turns out.  Or I could talk about the first time a friend thrust a copy of Tam Lin into my hands saying “You have to read this!” and my fanboyish glee years later when I opened up my e-mail and said, “Holy crap, Pamela Dean read my blog!”

Ahem.  Anyway, read on, and enjoy the tale of Pamela Dean’s first published novels.

#

My first novel was only half a book.  I started it when I was fifteen. I had been writing on and off since I was eight, but mostly poetry.  As I became more interested in fantasy and science fiction, I started trying to write short stories, since such common wisdom as I could garner in those pre-internet days stated that one always began with short stories and went on to novels.

In fact, I could not begin if I had to begin with short stories.  Even my sonnets were always overflowing their bounds and becoming entire narrative poems with sonnets as the individual verses.  I was rescued from my dilemma by a friend who had been given the Ballantine paperback edition of Tolkien’s The Lord of the Rings.  She was suspicious of such a long, weird-looking book; and, knowing that I read such things, asked me to just check it out for her.  It hit me like a tornado; I was never the same again.

One of its many effects was that I junked the short stories and began writing a huge fantasy epic – planned for three volumes, naturally – with a female protagonist.  At some point I realized that having read one epic fantasy novel at the age of fifteen did not actually equip one to write an epic fantasy novel.  What had I actually read a lot of?  Children’s fantasy novels.  I started over with a cast of five cousins unnervingly like the Pevensies in the Narnia books.  The characters who were not like the Pevensies were a lot like the crew of the original “Star Trek.”  Fortunately for me, I couldn’t manage a viewpoint character like any of Lewis’s, and devolved upon one named for Laura Ingalls in the Little House books, although she is a lot more like me at her age than like Laura Ingalls.

I stopped working on the book when I went off to college, but what I learned while not writing had profound effects on the finished book. After I fled graduate school, I revised my teenaged efforts extensively and then plodded on and on, through two writing group, and finally finished a work called The Hedge and the Sword.  It was shorter than Lord of the Rings, but still very long.  The writing groups were essential, particularly the second one, the Scribblies.  I would probably still be writing those books today if I had been all on my own.

By the time my book was done, Pat Wrede, a member of the Scribblies, had sold her first novel and found an agent.  The agent kindly agreed to look at my book.  However, she was perplexed by the intractable length and the apparent impossibility of cutting the book anywhere, and felt that she could not market it properly.  I wasn’t experienced enough to be daunted, and neither were my fellow Scribblies.  At their behest, I reread the manuscript and picked a spot, two-thirds of the way through, where the action paused briefly, and cut the book in two unequal pieces.   I polished up the “ending” of the first so that it was less raggedy. Pat then wrote me a cover letter, and I sent the manuscript to Terri Windling, then at Ace Books, who had bought Pat’s first novel.  In addition to Pat’s willingness to write me a cover letter, Terri was at that time editing both an adult and a children’s line of books, sparing me the decision as to which sort I had written.

Terri bought the book despite its unfinished character and demanded to see the rest of it, which she also bought.  The two volumes were retitled The Secret Country  [Amazon | B&N | Mysterious Galaxy] and The Hidden Land  [Amazon | B&N | Mysterious Galaxy].

I had hoped that both halves of the original large book would be published in the same year, but the first was published in 1985 and the second in 1986.  Moreover, Ace steadfastly refused to indicate anywhere on the first book that it was really only half a story.  I still get irate mail about that.  I think I picked the right place to divide the book, though.  The tone also changes at the place where the action pauses, and I have a lot of mail from people whose absolute favorite of all my books is The Secret Country, stealthy inconclusive ending or no. And when Sharyn November did the reprints for her Firebird line, she put the proper information about the books’ connection on the covers, and brought them out within a few months of one another.

January 12, 2011 /

Words Matter

I was planning to write a longer post last night, but that was before the shower drain announced its sudden but inevitable betrayal.  So you get the short version.  Maybe that’s for the best.  My recent blog posts have been a bit on the long side.

I’ve been thinking a lot since the attempted assassination of Congresswoman Gifford on Saturday, but I haven’t written about it.  At first, I was waiting for information to come in.  And then it was because, as upset as I was by the attack, so much of the “conversation” simply made me feel worse.

There’s a lot I’m not going to get into right now.  But there are two points I wanted to make.

1. People often use words for the emotion and passion they evoke, many times without really thinking about their meaning.  “Feminazi” is a good example.  A powerful word, and one which is obscenely inappropriate.  To the politicians and pundits and various media personalities, if you use the language and imagery of violence and insurrection against those you disagree with, then Saturday’s tragedy is exactly the kind of thing you’re referencing.  And if you don’t want to build a campaign on imagery of attempted assassinations and murdered children, then maybe you’re using the wrong goddamned words!

2. Accountability means owning your words.  Not hiding them or making excuses.  Not cowering behind “The other guy did it too!” or “Everyone’s doing it!”  Not whining that “They’re picking on me!”  Grow the hell up and take responsibility for what you’ve said.

Discussion welcome, as always.  Excuses and bickering, not so much.

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Slayers of Old
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Jim C. Hines