Today’s Plan
- Try to stay off social media.
- Make progress on the novel rewrite.
- Profit!!!
My editor, Sheila Gilbert of DAW Books, won the Hugo for Best Editor – Long Form! I’ve worked with Sheila for more than a decade now, and she’s been both a wonderful editor and an all-around great human being. I’m so happy to see her receive this well-deserved honor and recognition.
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Michi Trota became the first Filipino to win a Hugo award. She won, along with Michael and Lynne Thomas, for her work on Uncanny Magazine. Combine that with Alyssa Wong winning an Alfie from George R. R. Martin, and you get one of the best photos of the weekend:
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Looking at the voting stats, Invisible 2 came in pretty high on the longlist for Best Related Work, which is wonderful to see. Thank you to everyone who nominated it.
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Mary Robinette Kowal gives a masterclass in how to accept the consequences of your actions like a grown-up, as well as single-handedly showing that no, the convention wasn’t selectively using its code of conduct to punish people for political views or beliefs.
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Andy Weir and The Martian won the Campbell Award and the Hugo for Best Dramatic Work, Long Form, respectively. Which led to actual astronauts accepting in both categories. I made a joke on Twitter about it not being a real party until the astronauts were wearing the Campbell tiara. Little did I realize…
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Next year’s North American Science Fiction Convention (NASFIC) will be in San Juan, and my friend Tobias Buckell is one of the guests of honor! This is awesomeness times two!
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There’s so much more wonderful and amazing news from Worldcon. Huge congrats to all the Hugo winners. Nnedi Okorafor won for Binti. N. K. Jemisin took home the Best Novel Hugo for Fifth Season. A translated work, “Folding Beijing” by Hao Jingfang, won the Best Novelette. So many well-deserve honors.
While no event is ever perfect, almost all the accounts I’m reading describe Worldcon as a great time.
I’m sure there’s other great stuff I haven’t mentioned. Please remedy that in the comments! 🙂
We all knew I’d end up posting a follow-up to yesterday’s piece about Worldcon’s expulsion of Dave Truesdale, right?
A lot more information has come out in the past 24 hours. At this point, it’s obvious from what’s been shared publicly that Dave Truesdale violated multiple items of Worldcon’s posted code of conduct, and that this was something done with a great deal of planning and forethought.
The more we learn about Truesdale’s actions, the more it’s become clear to me that the con made the right call in kicking his ass out. Not for his political beliefs. Not for derailing a panel or utterly failing to do his job as moderator. But for his planned and deliberate disruption of the convention. He also recorded (and intends to publish) panelists without their knowledge or consent, among other things.
(And there are other things as well, some of which have not been shared publicly. I don’t know when or if that will change.)
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Part of my frustration yesterday was that Worldcon put Truesdale on this panel as moderator to begin with. He’s someone whose over-the-top rants I’ve been aware of for years, if not decades, including his conflicts with Eugie Foster, his hostility toward attempts at inclusiveness and spotlighting authors traditionally excluded from the genre, his behavior after the SFWA Bulletin cover mess a few years back, and much more.
As one person put it on Twitter, “Truesdale’s gonna Truesdale.”
A number of people pushed back on this, and made good and valid points about how much we can expect programming volunteers to know about the history and background of their panelists and moderators.
I find myself thinking of last year, when I was editing Invisible 2, and ended up running a blog post by someone who was known in other circles to be…problematic, at best. I had no clue. One suggestion (which I’m hoping to follow) was that I needed a co-editor who might be more aware of areas like that. Ultimately, that mess was my responsibility as editor. But is it fair to expect me to have vetted all of my potential contributors?
And I only had about twenty. Worldcon has a hell of a lot more.
The programming mess at World Fantasy Con also comes to mind. There’s a general sense that WFC should have known what they were getting when they put Darrel Schweitzer in charge of programming. But then, there’s a difference between selecting someone to run your entire programming division vs. going through all of the volunteer panelists and moderators.
Ideally, I do think there should be awareness of who’s being put on panels, and recognition that when you put someone like Truesdale in charge of a panel, there’s a good chance you’re gonna get a dumpster fire. But that’s easier said than done. We’re not all online. We’re not all in the same circles.
I don’t have an answer on this one, but I welcome people’s thoughts.
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A note to myself for future reference: Posting something potentially inflammatory before spending most of the day away from the internet and visiting friends? Bad idea…
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We’ve seen the predictable whining that the thought-police banned Truesdale for his beliefs. If that was the case, then I do think that would be a problem.
But that’s bullshit. Truesdale was banned for his actions.
That’s a really important distinction to me, and sometimes it’s a confusing or complicated line to try to draw. It’s one of the things I was concerned about yesterday, when less was known. Now, this is about me personally. I don’t expect or demand everyone to agree with me on this — I’m not sure I can even explain it that well — but that distinction between trying to judge people’s beliefs vs. judging based on their actions is pretty much a core principle for me. (Even if, being human myself, I sometimes fail to perfectly live up to it.)
I hope that made sense.
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In conclusion, from what I’ve seen now, Dave was kicked out for his actions, which violated multiple aspects of the code of conduct. And I’m okay with that. (The kicking out part, not the violating the code of conduct part…)
Also, yesterday gave me a bit of internet burnout. I’ll keep reading comments, but I probably won’t be responding/posting much more today.
For anyone claiming the recording Truesdale made without anyone’s knowledge or consent somehow vindicates him, or that he only hijacked the first few minutes of the panel, here’s what I heard from Truesdale’s own recording:
I stopped listening at this point, because I’d heard more than enough. Listening to his own recording, the man hijacked at least half the panel for his own personal crusade.
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Follow-up blog post at http://www.jimchines.com/2016/08/more-worldcon-thoughts/ (You knew I’d end up doing a follow-up on this one, right?)
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Updates since I posted this:
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Just catching up on today’s Worldcon drama. It began when Worldcon selected Dave Truesdale to moderate a panel on the State of Short Fiction. Instead, it’s been reported that Truesdale used the first 10 minutes of the panel for “a 10 minute monologue on how ‘special snowflakes’ who are easily offended are destoying SF.” (Source) He was literally clutching bead necklaces that he called “pearls.” Some people walked out of the audience. Other panelists shot Truesdale’s assertions down and tried to get the panel back on topic. Basically, it sounds like a mess.
This morning, over on Facebook, Truesdale shared an email he says he received from the convention, revoking his membership for his “unacceptable behavior” during that panel.
To be clear, I’m not at Worldcon. I didn’t see first-hand what happened on this panel. (I have read multiple reports from folks in the audience and others on the panel.) It does sound like Truesdale acted like an ass, derailed the panel, and pissed off a lot of people who wanted to, you know, talk about the state of short fiction.
As you might have guessed, I have thoughts about all this…
I think we’ve all seen people derail panels for their own personal agendas. Truesdale’s moderation might have been an epic shitshow, but is it grounds for expulsion?
Like I said, we don’t have all the facts on this. Just people’s comments on the panel, and Truesdale’s own account of why he was kicked out. But it sounds like a mess.
Friday is determined to get this manuscript turned in today!
Back when my son was in school, I noticed Cherie Priest’s YA novel I am Princess X [Amazon | B&N | IndieBound] in his Scholastic book order form. Naturally, I added that to the order we sent in!
Let’s start with the official summary from the publisher:
Once upon a time, two best friends created a princess together. Libby drew the pictures, May wrote the tales, and their heroine, Princess X, slayed all the dragons and scaled all the mountains their imaginations could conjure.
Once upon a few years later, Libby was in the car with her mom, driving across the Ballard Bridge on a rainy night. When the car went over the side, Libby passed away, and Princess X died with her.
Once upon a now: May is sixteen and lonely, wandering the streets of Seattle, when she sees a sticker slapped in a corner window.
Princess X? When May looks around, she sees the Princess everywhere: Stickers. Patches. Graffiti. There’s an entire underground culture, focused around a webcomic at IAmPrincessX.com. The more May explores the webcomic, the more she sees disturbing similarities between Libby’s story and Princess X online. And that means that only one person could have started this phenomenon — her best friend, Libby, who lives.
I stumbled a little in the beginning, because I’d gotten it into my head that this was a fantasy novel. Between the princess thing and the fact that Priest is known for SF/F… and the fact that I didn’t read the back of the book as closely as I should have. This is not speculative fiction. It’s YA mystery with a bit of a thriller feel.
It’s also a comic, which was cool. You get pages from the I Am Princess X webcomic interspersed between some of the chapters. I would have liked a bit more of the comic, but it made sense for it to end where it did, about 2/3 of the way through the book.
There’s no romance to speak of. The heart of the book is the friendship between May and Libby, which I liked a lot. I also appreciated the strained relationship between May and her father. May’s parents are divorced, and neither one of them is doing a great job of parenting. Her mother isn’t really part of the story, but I liked that her father was at least trying. Not always successfully, and he certainly messes up sometimes, but he wasn’t just a cardboard failure of a parent, or completely absent from the story.
Computer gurus Trick and Jackdaw were interesting characters as well, though they didn’t feel as well-rounded. But I’m not sure if I really wanted more of them, or if I prefer it this way, with the main focus on May and her story.
It was a little too dark for my son (he’s 11), but I enjoyed it.
Content warning for racist advertisements, used as examples.
Oh, Darrel Schweitzer, no.
Remember a couple of weeks ago when Sarah Pinsker pointed out a number of problems with WFC’s proposed programming track? I blogged about it here, and a number of other people weighed in as well. Some of the many complaints included:
Well, Schweitzer and a few of his friends have stepped up to set the record straight. It started when Chet Williamson posted on Facebook that “Spicy Oriental Zeppelin Stories,” as a phrase, “is not a racist creation by Darrell Schweitzer.” Despite Google not finding any reference to this phrase, except from Schweitzer himself, Williamson found a painting by Jerome Rozen that used the title in question.
Fair enough. Williamson is correct that this proves Schweitzer did not invent the phrase. Williamson also points out that this supports Schweitzer’s claim of the phrase being “an old in-joke among pulp fans.”
Had a lovely time last night at Schuler Books with Stephanie Burgis, Patrick Samphire, and Merrie Haskell. I posted a few pictures over on Facebook. Photo quality isn’t the best — I blame the kit lens I was using — but I love some of the expressions 🙂
We had a good turnout, read some bits from our respective work, and chatted about writing and worldbuilding and the difference between writing for kids and writing for adults and all that good stuff. Thanks again to everyone who came out to see us! I hope you had as much fun as I did!
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I also realized I hadn’t yet picked a winner on the Heroine Complex giveaway. Shame on me! That has now been remedied, and an email sent off to Heather, who was blessed by the Random Number Generator to receive an ARC of this fun book. Congrats!
This was my second attempt at photographing fireflies. Basically, it involves setting the camera on the tripod, taking lots of 5-second exposures, then layering the ones with fireflies together in Photoshop using the Brighten blend mode. I’m a lot happier with this round than my first attempt. Next up: finding a better setting and background, and maybe trying a wider lens.
We went to the local fair last week. The sunlight was pretty harsh (and hot!), but I liked how a few of my shots turned out.