Review

The Dragon Prince

The Dragon PrinceMy son and I watched the first (and only, so far) season of THE DRAGON PRINCE last week. Co-creator Aaron Ehasz was the head writer and director of Avatar: The Last Airbender, so I was really excited for this.

Of course, Avatar was an amazing show, and it’s going to be hard for anything to live up to that standard. The Dragon Prince might not be as amazing as Avatar, but I still enjoyed it.

OBLIGATORY SPOILER WARNING

The show is set in a more “traditional” fantasy world of kings and magic and elves and dragons. It’s a well-developed world, with a lot of history and detail, but there was a lot in the first episode that felt like variations on themes I’d read and watched a lot already. It didn’t feel new.

It picks up more with the second and third episodes, as human princes Callum and Ezran join up with the moon elf assassin Rayla to try to save a dragon egg. We also get more character development in general, which is one of the show’s strengths.

It doesn’t feel as diverse as the world of Avatar, which was disappointing. I mean, making a black man king was pretty sweet…until the show immediately killed him off. Seeing General Amaya, a deaf woman, leading troops and kicking ass, was wonderful, and I hope she gets more screen time in season two. (I loved her interpreter, too.)

There’s a lot of humor and banter and fun, but also some genuinely touching emotional moments. I particularly love Rayla’s struggles and conflicts, and moments like when she casually tells Ezran he’s worth losing a hand for.

Several people said they thought this was intended for a younger audience than Avatar, but I’m not sure. Avatar had some deep and powerful themes, but at its heart were a trio of young kids. The Dragon Prince doesn’t feel as deep, but it still deals with war and death and corruption and torture.

My son spent a fair amount of time drawing parallels between the two shows. (He was asking when the Appa-analogue would show up. Then we got the episode with Ava the wolf.) If you’re a fan of Avatar, some of the humor and characters and conflicts will feel familiar. I think that’s mostly a good thing. But Callum was a little too Sokka-like for me — they’re not only written with a similar voice, they’re played by the same voice actor.

My biggest complaint is that it’s too short. The season ends on a nice moment, but with plenty of conflict building on the horizon. Literally. And there’s obviously so much more world building and history to get into. In a lot of ways, season one was just laying out the groundwork and establishing the world and characters.

The animation style was a little annoying at times — a bit choppy. It could be striking and beautiful too, but not as much as the artwork in Avatar.

Netflix hasn’t officially announced a second season yet, but I’m hoping and assuming they will, and I’m looking forward to watching it.

Anyone else seen it yet? What did you think?

Aftermath, by Chuck Wendig

Aftermath: CoverAftermath [Amazon | B&N | IndieBound] is the first book of Chuck Wendig‘s Star Wars trilogy that connects the period between Return of the Jedi and The Force Awakens. The book has generated some strong and at times vicious reactions.

Here’s the official publisher’s description:

As the Empire reels from its critical defeats at the Battle of Endor, the Rebel Alliance—now a fledgling New Republic—presses its advantage by hunting down the enemy’s scattered forces before they can regroup and retaliate. But above the remote planet Akiva, an ominous show of the enemy’s strength is unfolding. Out on a lone reconnaissance mission, pilot Wedge Antilles watches Imperial Star Destroyers gather like birds of prey circling for a kill, but he’s taken captive before he can report back to the New Republic leaders.

Meanwhile, on the planet’s surface, former rebel fighter Norra Wexley has returned to her native world—war weary, ready to reunite with her estranged son, and eager to build a new life in some distant place. But when Norra intercepts Wedge Antilles’s urgent distress call, she realizes her time as a freedom fighter is not yet over. What she doesn’t know is just how close the enemy is—or how decisive and dangerous her new mission will be.

Determined to preserve the Empire’s power, the surviving Imperial elite are converging on Akiva for a top-secret emergency summit—to consolidate their forces and rally for a counterstrike. But they haven’t reckoned on Norra and her newfound allies—her technical-genius son, a Zabrak bounty hunter, and a reprobate Imperial defector—who are prepared to do whatever they must to end the Empire’s oppressive reign once and for all.

Now, no book is going to appeal to everyone. I enjoyed this one, but I can see two valid reasons why it might not work for some readers:

1. Wendig’s writing style doesn’t match that of most Star Wars books I’ve read. Wendig wrote this one in present tense, and he tends to use shorter, choppier sentences:

A voice. Her voice. The Zabrak’s.
“The nose,” she says.
Then thrusts the heel of her hand forward.
Smashing it right into the Herglic’s nose.

The style took me a few pages to get used to, but I thought it worked. It creates a faster-paced flow to the prose, which worked for all of the Star Warsy action.

That said, if you prefer an invisible writing style, this book might not work for you.

2. Aftermath is almost entirely about original characters. Han and Chewie get a very brief cameo. Admiral Ackbar pops up a few times. Wedge Antilles has a more significant part in the story. But the book mostly focuses on new characters, like a pilot from the attack on the second Death Star who’s suffering from PTSD and trying to reconnect with her son after being gone for so long; an ex-Imperial loyalty officer; a bounty hunter; and a small group of Imperial officers trying to figure out what the heck to do now.

I liked the characters. But if you’re hoping for Luke Skywalker lightsabering stormtroopers or Han and Leia flirting and arguing and blasting bad guys or maybe a glimpse of baby Rey or baby Ben/Kylo or baby Finn, you’re going to be disappointed.

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But then you have the anti-SJW brigade and their one-star campaign, posting reviews like, “It seems that Star Wars has become a feminist movement. All main characters in this book are females. Oh wait, except for one of the main bad guys – of course a white male. Which is right in line with the new movie…”

All main characters are females. Except Wedge Antilles. And Sinjir. And Temmin. And Mr. Bones. And…yeah.

There were complaints about the inclusion of gay and lesbian characters. I guess magic space wizards and giant asteroid snakes are fine, but loving someone of the same gender is just too much to believe.

A lot of the reviews attacked the writing style as well. Like I said, the style might not work for everyone, and that’s fine. But complaining that the author uses sentence fragments and therefore doesn’t know how to write? Um…y’all know authors sometimes break elementary school writing rules for various reasons, right? Or folks saying they could have written a better book when they were 13? Go ahead and try it. We’ll wait.

Basically, Wendig and his book got flooded by a lot of negativity. Some of the reviews were valid — like I said, no book works for everyone. But an awful lot of the nastiness was just assholes being assholes…

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Me? Like I said above, I liked it. I appreciated seeing some of the costs of the war, and the ethical issues Wendig delves into. The interludes were a nice addition, showing the aftermath of the Battle of Endor throughout the galaxy. The story itself was self-contained, but at the same time lays the groundwork for the rest of the trilogy. There’s plenty of action. And of course, Mr. Bones is fun (and disturbing) to watch.

I’ll be picking up the sequel, Aftermath: Life Debt.

Read an excerpt.

Markswoman, by Rati Mehrotra

Markswoman Cover ArtAt ConFusion earlier this year, I picked up a copy of Rati Mehrotra‘s debut YA fantasy, Markswoman [Amazon | B&N | IndieBound]. Like everything else lately, it took me a little while to get to it. But once I started reading, I raced through the book.

Here’s the official synopsis:

Kyra is the youngest Markswoman in the Order of Kali, one of a handful of sisterhoods of highly trained elite warriors. Armed with blades whose metal is imbued with magic and guided by a strict code of conduct, the Orders are sworn to keep the peace and protect the people of Asiana. Kyra has pledged to do so—yet she secretly harbors a fierce desire to avenge her murdered family.

When Tamsyn, the powerful and dangerous Mistress of Mental Arts, assumes control of the Order, Kyra is forced on the run. She is certain that Tamsyn committed murder in a twisted bid for power, but she has no proof.

Kyra escapes through one of the strange Transport Hubs that are the remnants of Asiana’s long-lost past and finds herself in the unforgiving wilderness of a desert that is home to the Order of Khur, the only Order composed of men. Among them is Rustan, a disillusioned Marksman whose skill with a blade is unmatched. He understands the desperation of Kyra’s quest to prove Tamsyn’s guilt, and as the two grow closer, training daily on the windswept dunes of Khur, both begin to question their commitment to their Orders. But what they don’t yet realize is that the line between justice and vengeance is thin … as thin as the blade of a knife.

I called the book fantasy, but it feels more like a blend of fantasy and science fiction. The book is set in an alternate Asia in the distant future, and includes everything from transport hubs to telepathic weapons to words of power. Those weapons are made from metal brought to Earth long ago by The Ones — it’s unclear exactly who or what they are. You also get scenes where you glimpse the futuristic cities of (I think) the past.

None of it is fully explained, but there’s obviously a lot of depth to the world, and Mehrotra gives the reader enough to draw them in, leaving us eager for the next piece.

There’s a love triangle that pops up in the second half of the book. Honestly, I could have done without that. But props to the author for how she handled the overly aggressive/stalkery guy. Behavior that in another book might have been rewarded is in this book called out and met with real consequences.

I enjoyed both protagonists (Kyra and Rustan) and many of the secondary characters — particularly some of the elders of the Marksmen and Markswomen. Tamsyn is pretty much flat-out evil, but it works for the story.

The ending felt abrupt. Not a cliffhanger, exactly, but there’s no real denouement. And the next book, Mahimata, doesn’t come out until March of next year.

All in all, I think it’s a strong debut. I’d have liked to see a little more of the larger world and story Mehrotra is setting up, but I definitely enjoyed the book.

You can read the first part online, if you’d like to check it out.

Infinity War (Spoilers)

We don’t make it to opening weekend for most movies, but I figured with as much time as I spend online, this would be my only chance of seeing Infinity Wars before stumbling over spoilers.

Speaking of which…spoilers after the cut!

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Recent Reads: Dawson, Chu, and Schaff-Stump

Catching up on some of my recent reading…

Cover: PhasmaFirst up is Phasma [Amazon | B&N | IndieBound], by Delilah Dawson. I wanted this book for two reasons. The first is that Phasma has been criminally underutilized in The Force Awakens and The Last Jedi. So much wasted potential, and I wanted more about her character.

The second is because this is the first Star Wars book with my name in it. Sure, it’s in small print on the back book flap (author photo credit), but it’s a start!

From the publisher:

Deep inside the Battlecruiser Absolution, a captured Resistance spy endures brutal interrogation at the hands of a crimson-armored stormtrooper—Cardinal. But the information he desires has nothing to do with the Resistance or its covert operations against the First Order.

What the mysterious stormtrooper wants is Phasma’s past—and with it whatever long-buried scandal, treachery, or private demons he can wield against the hated rival who threatens his own power and privilege in the ranks of the First Order. His prisoner has what Cardinal so desperately seeks, but she won’t surrender it easily. As she wages a painstaking war of wills with her captor, bargaining for her life in exchange for every precious revelation, the spellbinding chronicle of the inscrutable Phasma unfolds. But this knowledge may prove more than just dangerous once Cardinal possesses it—and once his adversary unleashes the full measure of her fury.

What impressed me most about this one was the frame story, which was used to talk about Phasma’s background and history. We know Phasma ends up as a high-level villain, which means her story isn’t likely to be a happy one. How do you tell her story without getting overwhelmed by the darkness and the hopelessness?

You bring in an awesome Resistance spy named Vi. As interesting as it was to learn Phasma’s story, Vi and Cardinal ended up being my favorite characters. Cardinal is a nice contrast with Phasma, being of equal rank and genuinely believing in the purpose and ideas of the First Order.

It’s still a dark story, but there’s hope as well. Well done, Dawson!

Read an excerpt at Starwars.com.

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Cover: The Vessel of RaNext up is The Vessel of Ra [Amazon | B&N | IndieBound], by Catherine Schaff-Stump.

This is one of the twistier books I’ve read in a while, about magical families and their secrets and conflicts. Lucy Klaereon is bound to the demon Ra, destined to battle him for control. If she wins, she gains his service power. If she loses, she is to be killed. But Lucy’s family see her as weak, and nobody believes she’ll be able to win.

From the publisher:

While traveling in Venice in 1837, Lucy Klaereon, in order to save her family’s honor and her immortal soul, decides to commit suicide by drowning herself in the Grand Canal. Unfortunately for Lucy, she is rescued. Her rescuers believe they can separate her from the demon Ra, whom she is destined to fight because of an ancient family pact.

What Lucy does not know is that her rescuers have their own agenda. Paolo Borgia, head of a deposed magical family, wants to use Ra for his own purposes. Lucy is given an alternative, to separate herself from her demon and family, which she gladly welcomes. When she finds out the truth about Ra, Lucy’s purpose changes from not only freedom, but to righting an ancient wrong.

Octavia, Lucy’s older sister, is in pursuit. She has been trained since birth to kill Lucy when Lucy loses her battle with Ra.. At the ritual to free Ra, the two sisters clash with surprising results. Octavia is possessed by Ra and Lucy is determined to free her sister and keep Ra from reshaping the world in his image.

There is one small problem. Lucy has been murdered. However, she’s not about to let a small detail like that keep her from correcting her mistakes. Lucy will save Octavia, even if it kills her again.

There’s a lot going on in this book. Secrets and betrayals and love and death and more betrayals and several very power-hungry characters willing to do whatever it takes to increase their magic. There’s also courage and decency and hope. Every character comes with their own background and conflicts and stories. It makes for a very good and complex story.

Here’s an interview and excerpt where you can read more.

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The Rise of IO: CoverFinally, I read The Rise of IO [Amazon | B&N | IndieBound], by Wesley Chu.

This is a great follow-up to Chu’s books about Tao. (I reviewed The Lives of Tao here.) Whereas Tao was a highly skilled Quasing who had changed the course of human history through his hosts. the central Quasing in this book is…well, pretty much the anti-Tao. For example, one of IO’s more notable hosts was a general by the name of George Custer.

From the publisher:

Ella Patel – thief, con-artist and smuggler – is in the wrong place at the wrong time. One night, on the border of a demilitarized zone run by the body-swapping alien invaders, she happens upon a man and woman being chased by a group of assailants. The man freezes, leaving the woman to fight off five attackers at once, before succumbing. As she dies, to both Ella and the man’s surprise, the sparkling light that rises from the woman enters Ella, instead of the man. She soon realizes she’s been inhabited by Io, a low-ranking Quasing who was involved in some of the worst decisions in history. Now Ella must now help the alien presence to complete her mission and investigate a rash of murders in the border states that maintain the frail peace.

With the Prophus assigned to help her seemingly wanting to stab her in the back, and the enemy Genjix hunting her, Ella must also deal with Io’s annoying inferiority complex. To top it all off, Ella thinks the damn alien voice in her head is trying to get her killed. And if you can’t trust the voices in your head, who can you trust?

Like the earlier books, this is a fast-paced SF thriller with plenty of action, and I really enjoyed it. It’s nice to see women taking more of the stage in this one, and Ella is a great character: smart, streetwise, and practical.

There’s a pretty big plot thread left hanging at the end, so I assume (and hope) we’ll be getting more of IO soon. In the meantime, you can read the first chapter over at Tor.com.

The Dragon with a Chocolate Heart, by Stephanie Burgis

Dragon with a Chocolate Heart - Cover ArtEarlier this year, I snagged a copy of The Dragon with a Chocolate Heart [Amazon | B&N | IndieBound], a middle-grade fantasy by the delightful Stephanie Burgis. I wasn’t able to read it right away, because I wanted to read it with my twelve-year-old son Jackson, who’s a big fan of all things draconic. So once we finished the series we’d been reading together, we started in on this one.

Here’s the publisher’s description:

Aventurine is a brave young dragon ready to explore the world outside of her family’s mountain cave … if only they’d let her leave it. Her family thinks she’s too young to fly on her own, but she’s determined to prove them wrong by capturing the most dangerous prey of all: a human.

But when that human tricks her into drinking enchanted hot chocolate, she’s transformed into a puny human without any sharp teeth, fire breath, or claws. Still, she’s the fiercest creature in these mountains — and now she’s found her true passion: chocolate. All she has to do is get to the human city to find herself an apprenticeship (whatever that is) in a chocolate house (which sounds delicious), and she’ll be conquering new territory in no time … won’t she?

I asked Jackson a few questions, starting with, What did you think of the book?

“I give it five thumbs up — no, wait — four talons up, because it’s a dragon!”

What was your favorite part?

“I liked the ending, when the dragons were [spoiler] and [spoiler] and everything.”

What did you think of Aventurine?

“I liked her. She was cool. I liked that she tried to go out of her cage even though her parents said she wasn’t ready, and I liked that she tried to [spoiler] at the end even though everyone told her not to.”

Sounds like you like that she made her own choices, and didn’t let anyone else tell her what to do.What did you think of the other characters, like Silke and Marina and the rest?

“I thought Marina was kind of like what Aventurine might be like if she was older, and Silke was pretty cool and pretty nice.”

Did this book ever make you hungry, too?

“Yes! I wanted to eat a chocolate dragon. (Like a chocolate bunny, only a dragon.) I don’t think I’d like the chili chocolate, though.”

There was one part of the book you were upset about. Could you talk about that a little?

“I didn’t like the part when Aventurine had given up, because it made me feel depressed and angry and scared, and all the negative emotions.”

How did you feel when we read the chapter after that?

[Jackson bounced and waved his arms in excitement to answer this one.]

Who would you recommend this book to?

“Everyone! Especially people who like dragons, chocolate, or very exciting and good stories!”

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I tend to agree with Jackson. This was a lot of fun, though perhaps a bit dangerous to my blood sugar. I loved Aventurine’s struggles as a dragon-in-a-human-body, trying to understand and adapt to all of the weirdness that is humanity. I loved her relationships with Silke and Marina.

I saw a twist coming pretty early on, but that didn’t make it any less satisfying. And I suspect it wouldn’t jump out as much to younger readers (or readers who aren’t also authors).

If I had to pick just one word to summarize the book, I’d go with “charming.”

You can read the first chapter on Burgis’ website.

The Tick, Season One

My introduction to The Tick came in the late 90s, with the animated series. A few of my grad school friends and I would get together each week, eat Pillsbury cinnamon rolls, and watch The Tick (and a few other shows.)

I loved it. I loved the humor, the silliness, the undermining of superhero tropes, and the overall sense of fun.

This was my background as I logged onto Amazon Prime to watch their live-action take on The Tick.

It felt like the entire show was filmed using the same Gritty Angst Filter they used on Batman v Superman. They managed to make The Tick almost entirely joyless.

Spoilers follow…

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Wonder Woman (Here There Be Spoilers)

My family and I finally saw Wonder Woman today. (I made sure to do up the beard with the appropriate colors, of course!)

Selfie with yellow and red beard bandsI liked it a lot. It wasn’t perfect, but it’s easily the best of the DC superhero films for me. Not necessarily a high bar to clear, but still…

Was it perfect? Nope. I saw the twists with Ares and the “godkiller” pretty much as soon as they were introduced. Elena Anaya’s Doctor Poison was sadly underutilized. The final battles were a little too CGI.

I still enjoyed it. I loved Gal Gadot as Wonder Woman, and Chris Pine as Steve Trevor. Lucy Davis was a lot of fun as Etta Candy. Perhaps most importantly, the film gave us a Wonder Woman who had heart. Who loves and protects and smiles and cares and tries to help, and not just in battle. The moment when she tries to comfort Charlie after what appears to be a PTSD-type nightmare, or her unabashed joy in ice cream or seeing a baby for the first time…those moments made Wonder Woman as much as her big fight scenes.

I’ve seen people talking about how they cried during this movie at the sight of a woman taking center stage as a powerful, compassionate, world-saving superhero. I’ve seen criticism of the way the film quickly abandons Paradise Island and surrounds Wonder Woman with an almost entirely-male cast. I’ve seen love for the casting of an Israeli woman, and for a Native character who introduces himself in Blackfoot. I’ve seen pain and frustration at the way black women are portrayed or pushed into the background. (I loved watching Robin Wright kick ass, but why couldn’t the movie have kept Philippus as Diana’s trainer?)

I’ve also seen that amazingly clueless Guardian review, which complains:

Confusingly, Diana later explains that “men are essential for procreation but when it comes to pleasure, unnecessary.”

Anyone else completely unshocked to find that this review was written by a man?

I included the link, but I recommend reading more thoughtful commentary and responses like the following:

It’s hard to hear something you love is problematic. We saw The Princess Bride again last weekend. I love that movie. I think it’s brilliant…but it’s also almost exclusively male, and includes a scene of Westley threatening to strike his so-called love because he doesn’t like something she said. That’s messed-up. I still love it, but not because I delude myself into thinking it’s perfect.

Wonder Woman is extraordinary and powerful for a lot of people. It’s also flawed and frustrating or disappointing for others. This isn’t a contradiction. It’s the nature of art. Sure, certain criticism might be ridiculous — waves at that Guardian reviewer — but I don’t think we do ourselves any favors by pretending our faves are perfect, or by refusing to listen to people who point out genuine problems.

I liked the movie. I liked Gal Gadot’s Wonder Woman. I think this was a big step forward for DC films…but one step does not a journey make. I hope Hollywood learns and does even better in the future.

I’ll end with Stylist UK’s 25 life-giving photos of little girls dressed as Wonder Woman.

Gal Gadot with Young Fan

Photo from Ryan McGee’s Twitter Feed

Nova, by Margaret Fortune

Cover of NovaI am shamefully overdue on reviewing Margaret Fortune‘s book Nova [Amazon | B&N | IndieBound]. I’d been hoping to review and provide a blurb before the sequel came out. Since the sequel was released on Tuesday of this week, it looks like I blew it.

Here’s some of the publisher’s summary:

Lia Johansen was created for only one purpose: to slip onto the strategically placed New Sol Space Station and explode.

But her mission goes to hell when her clock malfunctions, freezing her countdown with just two minutes to go. With no Plan B, no memories of her past, and no identity besides a name stolen from a dead POW, Lia has no idea what to do next. Her life gets even more complicated when she meets Michael Sorenson, the real Lia’s childhood best friend.

There’s a lot going on here. In some respects, this reads like a pretty standard coming-of-age story, with Lia learning about herself, developing relationships and a romantic interest, and finding purpose. In space!

It’s enjoyable on that level, and for a good 3/4 of the book, Lia’s personal growth takes center stage. But all this is happening against a background of interplanetary war, in which Lia is a literal weapon for the other side. Fortune sprinkles hints and clues as we go, preparing us for the big revelations at the end.

I guessed one of those revelations pretty early on. Others were more of a surprise. The pace really picks up as we learn the truth about Lia’s past and the war she’s fighting. I had a really hard time putting down the book during those final chapters.

In some respects, it reminded me of reading Heinlein as a kid — engaging teen protagonist and interesting space stuff, all written in a way that pulls you along for the story. (But without the more problematic aspects of Heinlein.) The fact that her glitched clock keeps starting and stopping, slowly whittling away the seconds, adds a nice layer of tension and conflict.

I would have liked to see Lia grapple a bit more deeply with the fact that she’s both a suicide bomber and the bomb itself, but the ending resolves that pretty well.

All in all, a fun read. I suspect more experienced SF writers might find parts of it familiar, but it’s still enjoyable. (And best of all, the ebook edition is currently on sale for $1.99.)

Book two of the five-book series, Archangel, came out on March 7.

Kat, Incorrigible, by Stephanie Burgis

Kat, Incorrigible cover artAt a group booksigning in Lansing last month, I snagged an autographed copy of Stephanie Burgis‘ debut middle grade fantasy Kat, Incorrigible [Amazon | B&N | IndieBound]. It’s a fun read, which the publisher describes thusly:

Twelve-year-old Katherine Ann Stephenson has just discovered that she’s inherited her late mother’s magical talents, and despite Stepmama’s stern objections, she’s determined to learn how to use them. But with her eldest sister Elissa’s intended fiancé, the sinister Sir Neville, showing a dangerous interest in Kat’s magical potential; her other sister, Angeline, wreaking romantic havoc with her own witchcraft; and a highwayman lurking in the forest, Kat’s reckless heroism will be tested to the utmost. If she can learn to control her new powers, will Kat be able to rescue her family and win her sisters their true loves?

In this charming blend of Jane Austen-era culture, magical whimsy, and rollicking adventure, readers will find a true friend in the refreshingly unladylike Kat Stephenson.

One of my favorite parts of the book was Kat’s relationship with her two sisters, and the development of each of those three characters. All three of them are strong and determined to do what they think is best, and they all have different and conflicting ideas of what “best” means, which causes wonderful familial conflict. I love that they’re all powerful, and it’s different power for each one.

This is book one of a trilogy, and you definitely start to see the larger magical world, with its wonders and dangers both. The strong, often rigid societal rules of Kat’s mundane world are reflected in the magic one as well, and Kat has little patience for them in either world.

The publisher described it as “charming,” and I think that’s the perfect word for the book. There’s fun and adventure and magic and a rebellious magical heroine, all of which make for a good read. But what separates this story from the pack is the development of Kat, Angeline, and Elissa. Watching them love and care for one another while simultaneously getting so infuriated was wonderful. All three are active characters trying to take control of their own lives. They all make mistakes — sometimes heartbreaking ones — but they never stop trying to do what’s right.

And you’ve gotta love a book that manages to present and dump a traditional trope within its first two sentences!

You can read the first two chapters on Burgis’ website.

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Jim C. Hines