In Which Others Worry About the State of my Career
For the writer folks, are you reading Kristine Kathryn Rusch’s blog? She has a great deal of experience in the industry, and her posts are worth reading and thinking about, even if I occasionally disagree. Case in point: last week she wrote about auditing your agent, and shared her personal experience with Unnamed Agent who … well, let’s just say they weren’t terribly diligent about getting her all the money she deserved.
She makes a lot of good points. And while I haven’t seen anything to suggest similar problems with my own agent, it’s good to keep these things in mind, and preferably to be aware of them before rushing into a relationship that will affect your career.
A friend pinged me to let me know my name had come up in the comments, where someone was suggesting I should read the post, because it could help me. Another person referenced something I wrote last year about why I was keeping my agent, thanks.
From there, discussion moved to me working for “slave wages,” and how I was being “screwed out of hundreds of thousands of dollars every year.” Another person said it was sad that I was “so against changing anything about his work relationships.”
Let me start by saying I genuinely appreciate people’s concern for my career and financial well-being.
With that said, there seems to be an assumption in some of the comments that I’m blindly sticking with a system that’s screwing me over, that I haven’t seriously considered or researched other publishing options, and so on. I would like to reassure people that this is not the case. I read my contracts, both U.S. and foreign. I review my royalty checks and statements, and I ask my agent about anything that looks odd. (Often he beats me too it, sending me royalty spreadsheets with a note that he thinks some numbers look off, and he’s following up with the publisher.)
I’ve spoken to a lot of self-published authors, both those who went indie from day one and those who started with commercial publishing and switched over to self-publishing. I’ve self-published three collections and one novel, partly for the additional income, and partly for the experience. As my books revert back to me, I fully intend to self-publish those as well to keep them available.
After looking at the different options and talking to people who have gone down those different paths, I’ve chosen to keep my agent and publisher. I choose to stay with DAW and JABberwocky because I’ve determined that this is what’s best for me and my career at this time. That doesn’t necessarily mean it would be best for you. Everyone’s career is different, and there’s no one right way to do this.
The person who mentioned the hundreds of thousands of dollars I should be making also said they saw my books in kids’ hands as often as Twilight and Hunger Games. Which is awesome anecdotal data, but I’ve seen my sales numbers on Bookscan. I’ve been pretty successful so far, but I’m nowhere near Meyer/Collins levels of success.
At least not yet
My situation is my own. I choose to write part time, and to keep a full time day job. I have several chronic health conditions, a partially disabled wife, and a special needs child. And I live in a country that doesn’t have universal health coverage. I could find an insurance plan on my own, but it would be pricy. Health Care Reform will hopefully create more options, and I’ll revisit my situation as things change. But for now, I do choose to be a bit conservative when it comes to the health and care of myself and my family.
So thank you again for the concern, but I’m doing okay. My latest book hit the Locus Bestseller List, is in its fourth printing, and looks like it will have earned out a five-figure advance in three months. It’s been picked up in Germany and the UK so far, as well as by the Science Fiction Book Club (deals arranged by my agent and my publisher, respectively). My earlier work is still in print, and is being re-released in omnibus (Goblins) and audio (Goblins and Princesses) editions, as well as ongoing foreign deals (Stepsister Scheme just came out in Turkey).
I agree with Rusch that it’s important to go into a business relationship with your eyes open. I know I didn’t always do that when I was starting out, and in some ways, I got very, very lucky. I also agree that not everyone needs an agent, and that there are a lot of scams and pitfalls out there.
But I have done research, and I continue to pay attention to different options and opportunities. I talk to different authors, some more successful, some less. Some commercially published, some self-pubbed. Some with representation, some without. This is my career. I watch what’s happening in the industry, and I take it very seriously.
And I am indeed quite happy with where I’m at right now. Thanks!
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